Jacobean Furniture and English Styles in Oak and WalnutCandee, Helen Churchill
History
Jacobean Furniture and English Styles in Oak and Walnut
Candee, Helen Churchill
Decoration and ornament, Jacobean; Furniture -- England -- History -- 17th century; Furniture -- England -- Styles
XVI Oak day beds 24
XVII Stuart chairs 25
XVIII Marquetry cabinet about 1700 28
XIX Walnut cabinet 29
XX Stuart settee with carving. Second half of
XVII Century 42
XXI Charles II chairs in varying styles in carving 43
XXII Walnut sofa 44
XXIII Gilt mirror, time of Charles II 45
XXIV Interesting chair transitional between Stuart
Styles and William and Mary 48
XXV Chairs in variants of William and Mary 49
XXVI Chest of drawers in burr walnut veneer 50
XXVII Small walnut table 51
XXVIII Carved chairs. Period of William and Mary 52
XXIX Walnut chairs, William and Mary 53
XXX Queen Anne single chair. Queen Anne arm
chair. Walnut Queen Anne chairs 54
XXXI Queen Anne chair 55
JACOBEAN FURNITURE
CHAPTER I
EARLY JACOBEAN STYLES
JAMES I CROWNED 1603
When a passion for collecting antique furniture first swept America,
and prizes were plucked from attics, cellars and old barns, the eagle
eye of the amateur sought only those fine pieces that were made in the
age of mahogany and satin-wood. Every piece was dubbed Colonial with
rash generalisation until the time when a little erudition apportioned
the well-made distinctive furniture to its proper classes. Then every
person of culture became expert on eighteenth century furniture, and
the names of Chippendale and his prolific mates fell glibly from all
lips.
That much accomplished, the collector and home-maker then threw an
intelligent eye on another page of history and realised that the
seventeenth century and certain bits of oak and walnut that had stood
neglected, belonged to an equally interesting period of America's
social development.
All at once the word Jacobean was on every tongue, as Colonial had been
before. Attics, cellars and barns were searched again, this time for
oak and walnut, not mahogany, and for heavy square construction, not
for bandy legs and delicate restraint. It was the marvellous carved
chest that first announced itself, and then a six-legged highboy, and
the lower part of a thousand-legged table--which now we call a gate.
These, we said with inspiration, are the gods of the first settlers;
mahogany is but modern stuff.
Public-domain text, read in full here on John Shaqi.
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