Jacobean Furniture and English Styles in Oak and WalnutCandee, Helen Churchill
History
Jacobean Furniture and English Styles in Oak and Walnut
Candee, Helen Churchill
Decoration and ornament, Jacobean; Furniture -- England -- History -- 17th century; Furniture -- England -- Styles
Nell Gwynn, she of the quick smile and quick tear, and vulnerable
heart, was of the King's favour to the extent of honouring him with the
little Duke of St. Albans; and on her Charles lavished accessories of
elegant living similar to those he bestowed on Louise de Querouailles.
The bewitching actress lived her quickly changing moods among the
furniture that now graces our modern rooms here on this side of the
water.
We were not importing many of those elegances in 1664. That was the
date when Charles' brother James, Duke of York, left the luxurious
court at London and came to give royal dignity to the little American
town of New Amsterdam on the day when its Dutch dominion ended and the
city was re-christened New York.
While considering the fascinating women of the court, Hortensia
Mancini, for whom beautiful furnishings were made, must stand as
the most alluring of them all because she ever eludes the critic or
dissector. Somewhat of her uncle Cardinal Mazarin was in her astute
secretiveness, but a baffling quality all her own made her proof
against surrendering her soul to any man's probing or to any man's
charm. So rich she was that money could not tempt; so clever, with
Italian wit added to Italian culture, that none could surpass her in
repartee or discourse; so full of mystery was her dark and piquant
beauty that all might envy her--yet so passionately unhappy, that none
would wish to exchange with her.
Add to the list of women Barbara Palmer, Duchess of Cleveland, who
represented a heavy voluptuousness and a prolific motherhood for the
King, and we see the women favoured by the King's artisans, and for
whom the beautiful furnishings of the time were produced.
Though Charles II had no royal factories such as Louis XIV was
conducting in France, plenty of rich objects of art were yielded by the
workers. That astonishing aberration of taste, silver furniture, had a
vogue at this time, the King considering his favourite worthy of such
extravagance. It must have been ugly by its inappropriateness, however
pretty was the woman it served.
Louise de Querouailles had hers set in a room lined all with mirror
glass, which at that time was an expensive novelty. But it pleased the
King to wander into the apartment of his favourite satellite and see
the lovely image of the Duchess of Portsmouth sitting among her silver
movables, reflected so many times in the walls that the world seemed
peopled only with adorable women. Nell Gwynn also had her mirror room.
It was the Duke of Buckingham who made the mirror-lined room possible
by establishing a factory for mirrors. Previous to this time they were
exceeding rare in England. Now a leaf was taken from Italy's books and
mirrors were made at home, with bevelled edges, and also with bright
blue glass framing, inside the wooden frame.
Public-domain text, read in full here on John Shaqi.
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