Jacqueline shook her head resolutely, though at that moment her heart
felt as if it were in a vise, and the moisture in her eyes looked like
anything but a refusal. Then, without giving herself time for further
thought, she whirled away into the dance with M. de Cymier. It was over,
she had flung to the winds her chance for happiness, and wounded a heart
more cruelly than Hubert Marien had ever wounded hers. The most horrible
thing in this unending warfare we call love is that we too often repay
to those who love us the harm that has been done us by those whom we
have loved. The seeds of mistrust and perversity sown by one man or by
one woman bear fruit to be gathered by some one else.
CHAPTER XII. A COMEDY AND A TRAGEDY
The departure of Frederic d’Argy for Tonquin occasioned a break in the
intercourse between his mother and the family of De Nailles. The wails
of Hecuba were nothing to the lamentations of poor Madame d’Argy; the
unreasonableness of her wrath and the exaggeration in her reproaches
hindered even Jacqueline from feeling all the remorse she might
otherwise have felt for her share in Fred’s departure. She told her
father, who the first time in her life addressed her with some severity,
that she could not be expected to love all the young men who might
threaten to go to the wars, or to fling themselves from fourth-story
windows, for her sake.
“It was very indelicate and inconsiderate of Fred to tell any one that
it was my fault that he was doing anything so foolish,” she said, with
true feminine deceit, “but he has taken the very worst possible means
to make me care for him. Everybody has too much to say about this matter
which concerns only him and me. Even Giselle thought proper to write me
a sermon!”
And she gave vent to her feelings in an exclamation of three syllables
that she had learned from the Odinskas, which meant: “I don’t care!” (je
m’en moque).
Public-domain text, read in full here on John Shaqi.
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