And he uncovered the masterpiece of the great artist, expecting to be
joyous in the joy with which she would receive it. But something strange
occurred. Madame de Nailles sprang back a step or two, stretching out
her arms as if repelling an apparition, her face was distorted, her head
was turned away; then she dropped into the nearest seat and burst into
tears.
"Mamma!--dear little mamma!--what is it?" cried Jacqueline, springing
forward to kiss her.
Madame de Nailles disengaged herself angrily from her embrace.
"Let me alone!" she cried, "let me alone!--How dared you?"
And impetuously, hardly restraining a gesture of horror and hate, she
rushed into her own chamber. Thither her husband followed her, anxious
and bewildered, and there he witnessed a nervous attack which ended in a
torrent of reproaches:
Was it possible that he had, not seen the impropriety of those sittings
to Marien? Oh, yes! No doubt he was an old friend of the family, but
that did not prevent all these deceptions, all these disguises, and all
the other follies which he had sanctioned--he--Jacqueline's father!--from
being very improper. Did he wish to take from her all authority over his
child?--a girl who was already too much disposed to emancipate herself.
Her own efforts had all been directed to curb this alarming propensity--
yes, alarming--alarming for the future. And all in vain! There was no
use in saying more. 'Mon Dieu'! had he no trust in her devotion to his
child, in her prudence and her foresight, that he must thwart her thus?
And she had always imagined that for ten years she had faithfully
fulfilled a mother's duties! What ingratitude from every one!
Mademoiselle Schult should be sent away at once. Jacqueline should go to
a convent. They would break off all intercourse with Marien. They had
conspired against her--every one.
And then she wept more bitterly than ever--tears of rage, salt tears
which rubbed the powder off her cheeks and disfigured the face that had
remained beautiful by her power of will and self-control. But now the
disorder of her nerves got the better of precautions. The blonde angel,
whose beauty was on the wane, was transformed into a fury. Her six-and-
thirty years were fully apparent, her complexion appeared slightly
blotched, all her defects were obtrusive in contrast with the precocious
development of beauty in Jacqueline. She was firmly resolved that her
stepdaughter's obtrusive womanhood should remain in obscurity a very much
longer time, under pretence that Jacqueline was still a child. She was a
child, at any rate! The portrait was a lie! an imposture! an affront!
an outrage!
Public-domain text, read in full here on John Shaqi.
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