he said afterward, in speaking of "The Spy," "most of you received with a generous welcome that might have satisfied any one that the heart of this great community is sound." Certain it is that the success of the novel was assured in America some time before the character of its reception in Europe was known. The printed volume was offered to the London publisher Murray, and for terms he was referred to Irving, who was then in England. Murray gave the novel for examination to Gifford, the editor of the "Quarterly." By his advice it was declined,--a result that might easily have been foretold from the hostility of the man to this country. He had made his review an organ of the most persistent depreciation and abuse of America and everything American. A new writer from this side of the ocean was little likely to meet with any favor in his sight, especially when his subject was one that from its very nature could not be flattering to British prejudices. Murray having refused, another publisher was found in Miller, who had also been the first to bring out Irving's "Sketch Book." Early in 1822 the work appeared in England. There its success was full as great as it had been in America. This novel, in fact, made Cooper's reputation both at home and abroad. It is (p. 036) important to bear this in mind, because it is a common notion that it was his delineations of Indian life that brought him his European fame. They established it, but they did not originate it. "The Spy" was a tale of a war, which in character was not essentially different from any other war. So far as the story painted the incidents of a struggle in which the English had been unsuccessful, it could have no right to expect favor from the English public unless there was merit in the execution of the work independent of the subject. The interest with which it was read by a people who could not fail to find portions of it disagreeable, who were moreover accustomed to look with contempt upon everything of American origin, was the best proof that a novelist had arisen whose reputation would stretch beyond the narrow limits of nationality. This was even more strikingly seen, when it came to be translated. If the English opinion was favorable, the French might fairly be called enthusiastic. A version was made into that tongue in the summer of 1822, by the translator of the Waverley Novels. In the absolute ignorance that existed as to its authorship, the work was ascribed by several of the Parisian papers to Fanny Wright, who subsequently achieved a fame of her own as a champion of woman's privileges and denouncer of woman's wrongs. In spite of its anonymous character and of some extraordinary blunders in translation, it was warmly received in France. From that country its reputation in no long space of time spread in every direction; translations followed one after another into all the cultivated tongues of modern Europe; and in all it met the same degree of favor.