James Otis, the Pre-RevolutionistRidpath, John Clark
History
James Otis, the Pre-Revolutionist
Ridpath, John Clark
Otis, James, 1725-1783
Of the incidents of his preceding boyhood, we know but little. A
tradition exists that he was more precocious than diligent; that
his will was strong; that his activities were marked with a
reckless audacity, which, however, did not distinguish him much
from the other promising New England boys of his age. Something
of these characteristics are noticeable in his college career.
At Harvard he showed an abundance of youthful spirits; a strong
social disposition, and a well-marked discrimination between his
friends and his enemies. At times he applied himself
assiduously, and at other times mused and read rather than
studied. On the whole he did not greatly distinguish himself as
a student. His passion for literature was marked, and he became
conspicuous for his forensic abilities. Towards the end of his
course, his character as a student was intensified, and he was
not often seen away from his books. Out of term time, he would
return to his father's home taking his books with him. At such
times he was rarely seen by his former companions of Barnstable,
because of his habit of secluding himself for study.
It is narrated that at this period of his life, young Otis gave
strong evidence of the excitable temperament with which he was
endowed. In the intervals of his study his nervous system, under
the stimulus of games or controversial dispute, would become so
tense with excitement as to provoke remark. Nor may we in the
retrospect fail to discover in this quality of mind and temper
the premonitions of that malady which finally prevailed over the
lucid understanding, and rational activities of James Otis.
The youth did not much effect social accomplishments. He had a
passion for music and learned to play the violin. With this
instrument he was wont to entertain himself in the intervals of
study. Sometimes he would play for company. It was one of his
habits to break off suddenly and rather capriciously in the midst
of what he was doing. Thus did he with his music. It is
narrated that on a certain occasion while playing by invitation
for some friends, he suddenly put aside the instrument, saying in
a sort of declamatory manner as was his wont--
"So fiddled Orpheus and so danced the brutes."
He then ran into the garden, and could not be induced to play the
violin again.
Public-domain text, read in full here on John Shaqi.
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