James Russell Lowell, A Biography; vol 2/2Scudder, Horace Elisha
History
James Russell Lowell, A Biography; vol 2/2
Scudder, Horace Elisha
Authors, American -- 19th century -- Biography; Diplomats -- United States -- Biography; Lowell, James Russell, 1819-1891
How deeply he felt the poem may be seen not only in the solemn measure
of the verse itself, but in the confession of physical exhaustion in
which the writing of it left him.[7] Most impressive was the coincidence
of the final stanza with the news which reached Elmwood just as the poem
itself fell under the eye of the great public. “God, give us peace!” he
had said in the penultimate stanza,--
“God, give us peace!--not such as lulls to sleep,
But sword on thigh, and brow with purpose knit!
And let our Ship of State to harbor sweep,
Her ports all up, her battle-lanterns lit,
And her leashed thunders gathering for their leap!”
And then,
“So cried I, with clenched hands and passionate pain,
Thinking of dear ones by Potomac’s side:
Again the loon laughed mocking, and again
The echoes bayed far down the night and died,
While waking I recalled my wandering brain.”[8]
There is a single sentence in a letter written four days before the
fatal news came which helps to show that side of Lowell’s nature out of
which his best work sprang, the attitude of receptivity to the large
elemental life. Taken in connection with the sudden blow so soon to
fall, it enables one to understand better the power by which Lowell was
aroused to action: “These last rains have been _lifting_ the leaves (si
levan le foglie) with a vengeance, making as clean work as ever Highland
Cateran with cattle. I can’t understand people who call autumn a
melancholy season unless they are cockneys indeed. To a country-bred
fellow like me, the exquisite atmosphere and the dear associations with
nutting and fishing and _trying_ to shoot ducks, and lying under warm
hillsides, make it anything but sad. Even to see the leaves fall is a
pleasure to me which few others match.”
Certain it is that from this time there seemed to be a new and, I think,
loftier and more sustained spirit in his writing upon the great issues
of the day. For one thing, he found vent in a rapid succession of poems
which form the second series of the “Biglow Papers.” Early in December,
1861, he wrote the first, apparently under pressure to return to this
form. “It was clean against my critical judgment,” he writes, “for I
don’t believe in resuscitations--we hear no good of the _posthumous_
Lazarus--but I may get into the vein and do some good;” and it is clear
that the effort did seat him again in the saddle, for he followed his
first paper, which appeared in January, 1862, with five more in
successive months, which were in effect pungent comments on the course
of events in that dark period. He had apparently the stimulus of an
engagement with Mr. Fields, the editor of the _Atlantic_, for we find
him in August confessing his inability to bring to light another paper
which was confined somewhere in his perplexed brain.
Public-domain text, read in full here on John Shaqi.
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