Jan of the Windmill: A Story of the PlainsEwing, Juliana Horatia
Philosophy
Jan of the Windmill: A Story of the Plains
Ewing, Juliana Horatia
Boys -- Juvenile fiction; Country life -- England -- Juvenile fiction
This has nothing to do, it seems to me, with the fact that a certain
degree of outlay on dress is criminal, on several grave accounts; nor
even with the incongruous spectacle of a becoming bonnet arranged during
the Litany by the tightly gloved fingers of a worshipper, who would
probably not be any the more devout for being uncomfortably conscious of
bad clothes. An old friend of my childhood used to tell me that she
always thought a good deal of her dress before going to church, that she
might quite forget it when there.
Surely, dress has absolutely nothing to do with devotion. And the
impertinent patronage of worshippers in “fustian” is at least as
offensive as the older-fashioned vulgarity of pride in congregations who
“come in their own carriages.” And I do protest against the flippant
inference that good clothes for the body must lower the assumptions of
the spirit, or make repentance insincere; which I no more believe than
that the worship of a clean Christian is less acceptable than that of a
brother who cannot afford or does not value the use of soap.
I am perhaps anxious to defend this congregation, on which Jan stumbled
in the pale light of early morning in the city, from any imputation on
the sincerity of its worship, because it was mostly very comfortably
clad. The men were chiefly business men, with a good deal of the
obnoxious “broadcloth” about them, and with well-brushed hats beneath
their seats. One of the stoutest and most comfortable-looking, with an
intelligent face and a fair clean complexion which spoke of good food,
stood near the door. He wore a new great-coat with a velvet collar, but
his gray eyes (they had seen middle age, and did not shine with any flash
of youthful enthusiasm) were fixed upon the window, and he sang very
heartily, and by heart,—
“Other Refuge have I none!
Hangs my helpless soul on Thee;
Leave, ah! leave me not alone,
Still support and comfort me.”
The tears flowed down Jan’s cheeks. It had been a favorite hymn of his
foster-mother, and he had often sung it to her. Master Swift used to
“give the note,” and then sink himself into the bass part, and these
quaint duets had been common at the mill. How delightful such simple
pleasures seem to those who look back on them from the dark places of the
earth, full of misery and wickedness!
In spite of his tears, Jan was fain to join as the hymn went on, and he
sang like a bird,—
“All my trust on Thee is stayed,
All my help from Thee I bring;
Cover my defenceless head
With the shadow of Thy wing.”
It was the hymn after the third collect, and when it was ended the
comfortable-looking gentleman motioned Jan into a seat, and he knelt
down.
When the service was over, the same gentleman took him by the arm, and
asked, “What’s the matter with you, my boy?”
A rapid survey of his woes led Jan to reply, “I’ve no home, sir.”
The congregation had dispersed quickly, for the men were going to
business.
Public-domain text, read in full here on John Shaqi.
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