Jan of the Windmill: A Story of the PlainsEwing, Juliana Horatia
Philosophy
Jan of the Windmill: A Story of the Plains
Ewing, Juliana Horatia
Boys -- Juvenile fiction; Country life -- England -- Juvenile fiction
Not without cause was the evening smile of sunlight reflected on Master
Swift’s lips. Between the fingers of a hand lying on his lap lay Jan’s
letter to announce that he and the artist were coming to the cottage, and
in intervals of reading and re-reading it the schoolmaster spouted
poetry, and Rufus wagged a sedately sympathetic tail.
“How fresh, O Lord, how sweet and clean
Are Thy returns! even as the flowers in spring;
To which, besides their own demean,
The late past frosts tributes of pleasure bring.
Grief melts away
Like snow in May,
As if there were no such cold thing.”
And, waving his hand after the old manner towards the glowing
water-meadows, he went on with increasing emphasis:—
“Who would have thought my shrivelled heart
Could have recovered greennesse?”
Perhaps Rufus felt himself bound to answer what had a tone of appeal in
it, or perhaps some strange sympathy, not with Master Swift, began
already to disturb him. He rose and knocked up the hand in which the
letter lay with his long nose, and wandered restlessly about, and then
settled down again with his eyes towards the garden-gate.
The old man sat still. The evening breeze stirred his white hair, and he
drank in the scents drawn freshly from field and flowers after the rain,
and they were like balm to him. As he sat up, his voice seemed to
recover its old power, and he clasped his hands together over Jan’s
letter, and went on:—
“And now in age I bud again,
After so many deaths I live and write;
I once more smell the dew and rain,
And relish versing: O my only Light!
It cannot be
That I am he
On whom Thy tempests fell all night!”
So far Mr. George Herbert; but the poem was never finished, for Rufus
jumped up with a cry, and after standing for a moment with stiffened
limbs, and muffled whines, as if he could not believe his own glaring
yellow eyes, he burst away with tenfold impetus, and dragged, and tore,
and pulled, and all but carried Jan to the schoolmaster’s feet.
And the painter walked away down the garden, and stood looking long over
the water-meadows.
CHAPTER XXXVIII.
A PAINTER’S EDUCATION.—MASTER CHUTER’S PORT.—A FAREWELL FEAST.—THE SLEEP
OF THE JUST.
“I HOPE, Jan,” said Master Swift, “that the gentleman will overlook my
want of respect towards himself, in consideration of what it was to me to
see your face again.”
“Don’t distress me by speaking of it, Mr. Swift,” said the painter,
taking his hand, and sitting down beside him in the porch.
As he returned the artist’s friendly grasp, the schoolmaster scanned his
face with some of the old sharpness. “Sir,” said he, “I beg you to
forgive my freedom. I’m a rough man with a rough tongue, which I could
never teach to speak the feelings of my heart; but I humbly thank you,
sir, for your goodness to this boy.”
Public-domain text, read in full here on John Shaqi.
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