Jan of the Windmill: A Story of the PlainsEwing, Juliana Horatia
Philosophy
Jan of the Windmill: A Story of the Plains
Ewing, Juliana Horatia
Boys -- Juvenile fiction; Country life -- England -- Juvenile fiction
The dwelling-room was the inner part of the basement floor. Near the
door which led from this into the round-house was the ladder leading to
the next story, and close by that the opening through which the sacks of
grain were drawn up above. The story above the basement held the
millstones and the “smutting” machine, for cleaning dirty wheat. The
next above that held the dressing machine, in which the bran was
separated from the flour. In the next above that were the corn-bins. To
the next above that the grain was drawn up from the basement in the first
instance. The top story of all held the machinery connected with the
turning of the sails. Ladders led from story to story, and each room had
two windows on opposite sides of the mill.
Use is second nature, and all the sounds which haunt a windmill were soon
as familiar and as pleasant to the little Jan as if he had been born a
windmiller’s son. Through many a windy night he slept as soundly as a
sailor in a breeze which might disturb the nerves of a land-lubber. And
when the north wind blew keen and steadily, and the chains jangled as the
sacks of grist went upwards, and the millstones ground their monotonous
music above his head, these sounds were only as a lullaby to his
slumbers, and disturbed him no more than they troubled his foster-mother,
to whom the revolving stones ground out a homely and welcome measure:
“Dai-ly bread, dai-ly bread, dai-ly bread.”
For another sign of his being a true child of the mill, his nurse Abel
anxiously watched.
Though Abel preferred nursing to pig-minding, he had a higher ambition
yet, which was to begin his career as a windmiller. It was not likely
that he could be of use to his father for a year or two, and the fact
that he was of very great use to his mother naturally tended to delay his
promotion to the mill.
Mrs. Lake was never allowed to say no to her husband, and she seemed to
be unable, and was certainly unwilling, to say it to her children.
Happily, her eldest child was of so sweet and docile a temper that
spoiling did him little harm; but even with him her inability to say no
got the mother into difficulties. She was obliged to invent excuses to
“fub off,” when she could neither consent nor refuse.
So, when Abel used to cling about her, crying, “Mother dear, when’ll I be
put t’help father in the mill? Do ’ee ask un to let me come in now! I
be able to sweep ’s well as Gearge. I sweeps the room for thee,”—she had
not the heart or the courage to say, “I want thee, and thy father
doesn’t,” but she would take the boy’s hand tenderly in hers, and making
believe to examine his thumbs with a purpose, would reply, “Wait a bit,
love. Thee’s a sprack boy, and a good un, but thee’s not rightly got the
miller’s thumb.”
Public-domain text, read in full here on John Shaqi.
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