Jane Austen and Her TimesMitton, G. E. (Geraldine Edith)
History
Jane Austen and Her Times
Mitton, G. E. (Geraldine Edith)
Austen, Jane, 1775-1817; Novelists, English -- 19th century -- Biography
But to set against this we have the idyllic pictures of cottage life
to be found amid the works of Morland and his _confrères_. One of
these, engraved by Grozer, is given as an illustration. Here, though
the cottage is low and dark, with thatched roof and small windows, the
healthy, smiling faces of the cottagers themselves are very attractive.
The truth probably lay in the mean between Cowper’s realism and the
artist’s idealism, health and good temper may have been found even amid
dirt and squalor.
[Illustration: THE HAPPY COTTAGERS]
At that time the state of the roads cut off the dweller in a small
village from any neighbouring town. At present the three or four miles
of good solid road in and out of a provincial town are nothing to a
young man who starts off after his work on Saturday evenings, and in
many cases he has a bicycle with which to run over them more easily
still. At that time the roads, even main roads, were in a filthy state;
the Act of 1775, by making turnpike roads compulsory, did much to
improve them, but previously they were often mere quagmires with deep
ruts, similar to the roads running by the side of a field where carting
has been going on. Many and many a record is there of the coaches being
stuck or overturned in the heavy mud.
The days of village merry-making and sociability seemed to have passed
away in Puritan times never to revive, and had not been replaced by
the personal pleasures of the present time. A labourer of Jane Austen’s
days had the bad luck to live in a sort of intermediate time. Not for
him the reading-room with its bright light and warm fire, the concert,
the club, and the penny readings, the smooth-running bicycle or the
piano. Here is Horace Walpole’s picture of suburban felicity: “The road
was one string of stage coaches loaded within and without with noisy
jolly folks, and chaises and gigs that had been pleasuring in clouds
of dust; every door and every window of every house was open, lights
in every shop, every door with women sitting in the street, every inn
crowded with drunken topers; for you know the English always announce
their sense of heat or cold by drinking. Well! It was impossible not
to enjoy such a scene of happiness and affluence in every village, and
amongst the lowest of the people; who are told by villainous scribblers
that they are oppressed and miserable.”
Public-domain text, read in full here on John Shaqi.
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