In art there had never before been seen in England such a trio of masters as Reynolds, Gainsborough, and Romney. Isolated portrait painters of brilliant genius, though not always native born, there had been in England,—Holbein, Vandyke, Lely, Kneller, and Hogarth are all in the first rank,—but that three such men as the trio above should flourish contemporaneously was little short of miraculous. In 1775, Sir Joshua had passed the zenith of his fame, though he lived until 1792. Gainsborough, who was established in a studio in Schomberg House, Pall Mall, was in 1775 at the beginning of his most successful years; his rooms were crowded with sitters of both sexes, and no one considered they had proved their position in society until they had received the hall-mark of being painted by him. He was only sixty-one at his death in 1788. Romney, who lived to 1802, never took quite the same rank as the other two, yet he was popular enough at the same time as Gainsborough; Lady Newdigate (_The Cheverels of Cheverel Manor_) mentions going to have her portrait painted by him, and says that “he insists upon my having a rich white satin with a long train made by Tuesday, and to have it left with him all the summer. It is the oddest thing I ever knew.” Sir Thomas Lawrence and Hoppner carried on the traditions of the portrait painters, the former living to 1830; with names such as these it is easy to judge art was in a flourishing condition. Among contemporary landscape painters, Richard Wilson, who has been called “the founder of English Landscape,” lived until 1782. But his views, though vastly more natural than the stilted conventional style that preceded them, seem to our modern eyes, trained to what is “natural,” still to be too much conventionalised. Among others the names of Gillray, Morland, Rowlandson stand out, all well on the way to fame while Jane was still a child. These preliminary remarks have been made with a view to giving some general idea of that England into which she was born, and they refer to those subjects which only affected her indirectly. All those things which entered directly into her life, such as her country surroundings, contemporary books, prices of food, fashions, and a host of minor details, are dealt with more particularly in the course of the narrative. As we have said, matters of history are not mentioned or noticed in Jane Austen’s correspondence, which is taken up with her own environment, her neighbours, their habits and manners, and illumined throughout by a bright insight at times rather too biting to be altogether pleasant. Of her immediate surroundings we have a very clear idea.