The next morning Lois had gone to her school and her mother had not
yet shown the letter to her. She went about as usual, doing her
housework slowly and vigorously. Mrs. Field's cleanliness was
proverbial in this cleanly New England neighborhood. It almost
amounted to asceticism; her rooms, when her work was finished, had
the bareness and purity of a nun's cell. There was never any bloom of
dust on Mrs. Field's furniture; there was only the hard, dull glitter
of the wood. Her few chairs and tables looked as if waxed; the paint
was polished in places from her doors and window-casings; her
window-glass gave out green lights like jewels; and all this she did
with infinite pains and slowness, as there was hardly a natural
movement left in her rheumatic hands. But there was in her nature an
element of stern activity that must have its outcome in some
direction, and it took the one that it could find. Jane had used to
take in sewing before her hands were diseased. In her youth she had
learned the trade of a tailoress; when ready-made clothing, even for
children, came into use, she made dresses. Her dresses had been
long-waisted and stiffly boned, with high, straight biases, seemingly
fitted to her own nature instead of her customers' forms; but they
had been strongly and faithfully sewed, and her stitches held fast as
the rivets on a coat of mail. Now she could not sew. She could knit,
and that was all, besides her housework, that she could do.
This morning, while dusting a little triangular what-not that stood
in a corner of her sitting-room, she came across a small box that
held some old photographs. The box was made of a kind of
stucco-work--shells held in place by a bed of putty. Amanda Pratt had
made it and given it to her. Mrs. Field took up this box and dusted
it carefully; then she opened it, and took out the photographs one by
one.
After a while she stopped; she did not take out any more, but she
looked intently at one; then she replaced all but that one, got
painfully up from the low foot-stool where she had been sitting, and
went out of her room across the entry to Amanda's, with the
photograph in her hand.
Amanda sat at her usual window, sewing on her rug. The sunlight came
in, and her shadow, set in a bright square, wavered on the floor; the
clock out in the kitchen ticked. Amanda looked up when Mrs. Field
entered. "Oh, it's you?" said she. "I wondered who was comin'. Set
down, won't you?"
Mrs. Field went over to Amanda and held out the photograph. "I want
to see if you can tell me who this is."
Amanda took the photograph and held it toward the light. She
compressed her lips and wrinkled her forehead. "Why, it's you, of
course--ain't it?"
Mrs. Field made no reply; she stood looking at her.
"Why, ain't it you?" Amanda asked, looking from the picture to her in
a bewildered way.
"No; it's Esther."
"Esther?"
"Yes, it's Esther."
"Well, I declare! When was it took?"
"About ten years ago, when she was in Elliot."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account