Country homes -- Fiction; England -- Social life and customs -- Fiction; Man-woman relationships -- Fiction
Only one of those pages--that which was a reproduction of the picture
sold the week before at Christie's--attracted her attention and aroused
in her very mixed sensations: pleasure at the thought that her portrait
should be displayed in a fashion so wholly satisfying to her own
critical and now highly educated taste; anger at the knowledge that the
splendid painting had been sold to an American, instead of taking
its place in the picture-gallery of Rede Place. When the picture had
suddenly come into the market, she had ardently desired that her
husband should buy it, and she had even ventured to convey her wish to
him through his cousin, Dick Wantele, but to her mortification Richard
Maule had refused.
Mrs. Maule now remembered with a sharp pang of self-pity the
circumstances which had surrounded the painting of this picture. A
portrait which her husband had commissioned the famous artist to paint
of her was scarcely begun when the painter, who had taken an adjoining
villa to theirs at Naples for the winter, had asked her whether she
would sit to him in the character of a Greek nymph. Pleased and
flattered, she had assented. Then, mentioning what she was about to do
to her then indulgent and adoring husband, he, to her great
astonishment, had disliked the idea: disliked it sufficiently to beg her
as a personal favour to himself to make some excuse for not keeping her
promise.
But even in those malleable days Athena Maule was incapable of denying
herself a fleeting gratification. While appearing to assent to her
husband's wish she had secretly fulfilled her promise to the artist, and
the picture had excited such keen admiration when it was first exhibited
that it had made Mrs. Richard Maule's beauty famous even before she came
to England. The episode had also resulted in her first serious quarrel
with Richard Maule.
When he had first seen the painting--for rather against her will the
great artist had insisted on showing it to him--Mr. Maule had expressed
an admiration it was impossible not to feel for the technical qualities
of the work, but he had refused, with angry decision, any thought of
commissioning a replica for Rede Place.
* * * * *
At last Mrs. Maule made her way to the train, and deliberately she chose
a carriage which had, as its one occupant, the man she had noticed
standing by the bookstall a quarter of an hour before. She had liked the
look of him then, and she liked it even more now. She wondered where he
was going to stay--whether with people she knew.
As she sat down in the opposite corner, she glanced at him with
instinctive interest and curiosity; he was lean and brown, and his face
had the taut, tense look of the man who achieves--whose life is spent in
combating forces greater than himself.
Public-domain text, read in full here on John Shaqi.
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