Jane Seton; or, The King's Advocate: A Scottish Historical RomanceGrant, James
History
Jane Seton; or, The King's Advocate: A Scottish Historical Romance
Grant, James
Scotland -- History -- James V, 1513-1542 -- Fiction
As Roland left the archway, three dark figures, which he had not
observed, shrunk close together; and when he issued forth, followed
him with stealthy steps. They wore short black mantles, and had
their bonnets pulled well over their faces; but though they lurked on
the shadowy side of the street (which the bright light above rendered
yet darker), the haft of a poniard, or knife, glittered at times
under their upper garments, as they followed the master of the
ordnance cautiously and softly, like cats about to spring on a mouse,
and as noiselessly, for they were shod with felt, or some such
material, that muffled their footsteps.
Vipont was about to descend towards the palace, near which he lived,
in St. Anne's-yard, when a column of light in the west made him
pause, and turn towards the centre of the town. A ball of fire was
burning on the summit of St. Giles's steeple, and having heard that
it was to be illuminated in honour of the queen's arrival and king's
return, he resolved to see this unusual display; and riding up the
Canongate to the strong barrier which separated the greater from the
lesser burgh, he gave his horse to the care of the under-warder of
the porte, and from thence walked up the High-street with his long
rapier under his arm.
The hour was late, but many persons were abroad, and the windows were
so full of faces, all gazing at the great tower of St. Giles's, that
even had Vipont known that three assassins were on his track and only
seeking an opportunity to plunge their poniards in his heart, he
would not have felt much alarm.
The airy lantern of this magnificent church is formed by eight ribs
of stone that spring from beautiful corbels, and meeting far above
the bartizan of the great rood-spire, support a spacious gallery and
lofty pinnacle, forming altogether an architectural feature of
remarkable beauty, and which (save the church of St. Nicholas at
Newcastle) is entirely peculiar to Scotland. It is a complete Gothic
diadem of stone. The rich crockets on the arches rise tier above
tier, and represent the pearls; the parapets from which they spring,
with their row of quatrefoils, being in place of the circlet. The
whole of this structure had been covered with variegated lamps, which
had been brought from Italy, and were hung by the taste and skill of
Father St. Bernard, one of the prebendaries, to the wonder and
astonishment of the simple-minded citizens. As yet they were unlit,
but a single light, we have said, was burning on the upper pinnacle,
like a large red star, and to this every face was turned.
Public-domain text, read in full here on John Shaqi.
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