Jane Seton; or, The King's Advocate: A Scottish Historical RomanceGrant, James
History
Jane Seton; or, The King's Advocate: A Scottish Historical Romance
Grant, James
Scotland -- History -- James V, 1513-1542 -- Fiction
Roland sighed when he thought on all these lost good qualities, and
bestowing a parting glance on the earl, who, as his valet, was
obliged to leave him at the large gothic door of the hall, he passed
through with the guests, who were ushered between a double line of
pages and liverymen. The chamberlain of the household waved his
wand, and announced--
"Sir Roland Vipont of that ilk, master of the king's ordnance."
In one little heart only, amid all the gay throng in that magnificent
hall, did the name of the king's first favourite find an echo.
Two hundred wax-lights, in branching chandeliers, illuminated the
high arched roof and lofty walls of the vast apartment, which was
decorated with all that florid ornament and grandeur which we find in
the palaces of James V. It was one of his new additions to the regal
mansion which his uncle Albany, and his father, James IV., had first
engrafted on the old monastic edifice of the Holy Cross. In honour
of the queen, the walls were hung with arras composed of resplendent
cloth-of-gold and silver, impaled with velvet, and the floors were
covered with Persian carpets, which were among the gifts received by
James V. from Francis I.*
* "_Item._ Foure suitts of rich arras hangings of 8 pices a suitt,
wroght with gold and silke.
"_Item._ Foure suitts of hangings of cloth-of-gold-silver, impaled
with velvett.
"_Item._ 20 Persian carpets, faire and large,"--See list of "gifts
and propynes," _Balfour's Annales_, vol. i. pp. 266-7.
On one side the arras was festooned to reveal the refreshment-rooms
which lay beyond, and the long tables, whereon lay every continental
delicacy, with the richest wines of France and Italy, all of which
the poorest Scottish artizan could procure duty free before the
union. There, too, lay one of the queen's cupboards of silver plate,
which was valued at more than a hundred thousand crowns, and watched
by four of the royal guard, with their arquebuses loaded. Chairs
covered with white velvet, brocaded with gold, and surmounted by
imperial crowns, with sofas or settles of purple velvet, were ranged
along the sides of these rooms; but the great hall was cleared of all
obstruction for the dancers. The king's musicians, among whom were
the four drummers, the four trumpeters, and three flute-players of
the queen's French band, all clad in yellow satin, occupied the music
gallery, and were just striking up king James's favourite march, _The
Battle of Harlaw_, which was then very popular in Scotland, and
remained so down to the time of Drummond of Hawthornden.
Public-domain text, read in full here on John Shaqi.
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