Two of the succeeding chapters were taken down by friends who had been
let into the secret of our work and had asked permission to sit with
us. It was the time of year when my husband could seldom spare an
evening from his work, and Mark consented to break into his beloved
office-force arrangement, for the sake of expediency. Three men and
five women served us in the capacity of amanuenses while the latter
third of the book was being transmitted. The first deviation from our
original arrangement came in connection with the dictation of the
seventeenth chapter, the chapter that ends with the death of Flossy and
her son. We were three sympathetic women, and when the planchette had
traced the words, "It was a smile of heavenly beauty, as the pure soul
of Ellis Hinton's wife flew to join her loved ones," we three burst
simultaneously into violent weeping. I have never experienced more
genuine grief at the grave of a departed friend or relative than I felt
when this woman, who had come to be more than human to me, was released
from her envelope of mortal clay.
The following day Mrs. Hays and I were invited to the home of a
delightful little Scotch woman who asked us to bring the planchette
board. She knew nothing of the story, and had no intimation of the
personality on the other side who was sending it across, through our
planchette; nevertheless she was willing to keep copy for us. The
chapter she wrote down is the eighteenth in the finished story, Jap's
funeral sermon and Isabel's song beside Flossy's coffin. Even now I
cannot think of that scene without a swelling of the throat and a
blinding rush of tears. It is needless to say we wept when the
dictation was ended.
When our hostess had read aloud the copy I asked our invisible
companion if he had anything more to say. I avoided mentioning his
name, for we did not wish his identity disclosed. The planchette
traced the curious words:
"You know that the air gets pretty damp for an old boy after this."
I looked out of the window. It was a murky November afternoon, and I
asked, "Do you feel the dampness of the material atmosphere?" Like a
flash came the reply:
"Emily, girl, you have been getting sob stuff."
Public-domain text, read in full here on John Shaqi.
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