The explanation of this cryptic statement was not given until we had completed the final revision of the story. Before I reveal what he had in mind, I wish to state that which is to me the most convincing proof of the supernormal origin of the three stories that had been traced, letter by letter, on our transmission board. That they come through Mrs. Hays, there can be no doubt whatever. My total lack of psychic power has been abundantly demonstrated. Mrs. Hays has written much light fiction; but it is necessary for her to write a story at one sitting. If it does not come "all in one piece" it is foredoomed to failure. I know nothing of Mark Twain's habits; but in all the work we have done for him, the first draft has been rough and vigorous, and sweeping changes have been made by him while the work was undergoing revision. In the case of "Jap Herron" some of the most important changes were made without a rereading of the story, changes that involved incidents which we had forgotten, and for which I was compelled to search the original record. When I had substituted these passages for the ones they were to supplant, I made a typewritten copy of the entire story and we read it aloud to Mark. Mrs. Hays and I sat with our finger tips on the planchette so that he could interrupt; but he made only a few minor corrections. The story had been virtually rewritten twice, although a few of the chapters, as they now stand, are exactly as they were transmitted, not so much as a word having been changed. The only change made in the fourteenth chapter came near the end, where Mark had suggested a line of dashes or stars to bridge the break between Jap's leaving his mother and the announcement that his mother was dead. Forty-eight words were dictated to show what Jap actually did, in that painful interim, the three sentences being rounded out by the words, "There, I think that sounds better."