To give any just conception of the immense civilizing influence which Buddhism exerted in Japan would require many volumes. Even to summarize the results of that influence by stating only the most general facts, is scarcely possible,--for no general statement can embody the whole truth of the work accomplished. As a moral force, Buddhism strengthened authority and cultivated submission, by its capacity to inspire larger hopes and fears than the more ancient religion could create. As teacher, it educated the race, from the highest to the humblest, both in ethics and in esthetics. All that can be classed under the name of art in Japan was either introduced or developed by Buddhism; and the same may be said regarding nearly all Japanese literature possessing real literary quality,--excepting some Shinto rituals, and some fragments of archaic poetry. Buddhism introduced drama, the higher forms of poetical composition, and fiction, and history, and philosophy. All the refinements of Japanese life were of Buddhist introduction, and at least a majority of its diversions and pleasures. There is even to-day scarcely one interesting or beautiful thing, produced in the country, for which the nation is not in some sort indebted to Buddhism. Perhaps the best and briefest way of [205] stating the range of such indebtedness, is simply to, say that Buddhism brought the whole of Chinese civilization into Japan, and thereafter patiently modified and reshaped it to Japanese requirements. The elder civilization was not merely superimposed upon the social structure, but fitted carefully into it, combined with it so perfectly that the marks of the welding, the lines of the juncture, almost totally disappeared. [207] THE HIGHER BUDDHISM