It is interesting to know that at marriage the bridegroom, contrary to the modern custom, went to the house of the bride. A man also was permitted to have several wives, but a woman was never allowed to have more than one husband. Divination was always employed to solve doubtful questions. Music and dancing were already known, the _koto_ and the flute being employed as musical instruments. Emotions of grief or joy, love or disappointment, were expressed in song, the most ancient song now extant being attributed to the deity Susanoö. The Emperor Jimmu also frequently commemorated brave deeds of war in song, thus encouraging and reviving the spirit of his warriors. A profound awe and respect toward the national deities, as well as a superstitious fear of innumerable spirits, seems to have prevailed everywhere in all classes of society. If the people submitted readily to the sway of the Emperor Jimmu, it was largely because they regarded him as a scion of the gods. The emperor, on his side, firmly convinced that good and evil were controlled by divine will, never neglected to perform sacrificial rites. Out of the custom of extreme reverence toward the deities grew abhorrence for impurity in any form, so that separate huts came to be built for the bodies of the dead or for women at times of parturition, and if any man came in contact with an unclean object, he bathed in a river to purify himself. Naturally, little distinction existed between religion and government, between shrine and palace. At the completion of his work of conquest, Jimmu erected a building at Kashiwabara, in which he deposited the three insignia, and in which he himself resided and personally governed the empire. Each one of his eight successors followed his example. The tenth emperor, Sujin, however, fearing that the insignia might be polluted, made duplicates of the Mirror and the Sword, and reverently deposited the originals in a shrine at Kasanui in Yamato, where one of the imperial princesses was intrusted with the duty of guarding them and performing due religious rites. Thus, shrine and palace were at last separated. Subsequently, these sacred objects were removed to Ise, and placed in the shrine now existing there. The Sword, however, was afterward carried to Atsuta in Owari, where it now lies in the Atsuta Shrine.