159 The actor(7) Tanimura TorazoÌ in the rôle of Kakogawa HonzoÌ. 160 Ichikawa EbizoÌ in the rôle of Ko no Moronao. This print bears an inscription, probably contemporary, giving the date 1794. 161 Onoe Matsusuke as one of the Loyal Ronin. 162 Rando HikosaburoÌ in the rôle of Yuranosuke. 163 Iwai HanshiroÌ in the rôle of Oishi, wife of Yuranosuke. 164 Ichikawa Monnosuke as one of the Loyal Ronin. 165 Morita Kanya as one of the Loyal Ronin. 166 Segawa TominojoÌ in the rôle of Kaoyo Gozen, wife of Yenya. 167 Sawamura SojuÌroÌ in the rôle of Yenya Hanguwan. 168 Arashi TatsuzoÌ in the rôle of Yoichibei. 169 Sakata HangoroÌ as Ten-ichi-boÌ Hotaku. 170 Segawa TominojoÌ and Nakamura ManjuÌroÌ in female rôles. 171 Nakajima Utaemon and Nakamura KonozoÌ. 172 Ichikawa OmezoÌ in the rôle of Sukeroku. 173 Matsumoto KoshiroÌ in the rôle of the otokadaté Banzuin Chobei. This print is commonly known as “The man with the pipe.” 174 Matsumoto YonesaburoÌ in the rôle of Okaru, wife of Kampei. 175 Ichikawa YaozoÌ in the rôle of Hayano Kampei. 176 Kosagawa TsuneyoÌ in the rôle of Tonasé, wife of Kakogawa HonzoÌ. 177 OÌtani Oniji in the rôle of Sadakuro. 178 Sannogawa Ichimatsu in a female rôle. 178a Nakayama TomisaburoÌ in the rôle of Komurasaki, and Ichikawa KomazoÌ as her lover, Shirai Gompachi, walking with her under a huge umbrella. [SHARAKU. Two Actors.] SHARAKU. Two Actors. LENT BY THE ESTATE OF FRANCIS LATHROP, DECEASED. 179 Segawa TominojoÌ. KITAGAWA UTAMARO One of the most gifted and most widely known of the Ukiyoé masters. Extraordinarily facile and brilliant. Born in 1753 and died in 1806. LENT BY SAMUAL ISHAM. _ 180 Triptych._ Imaginative view of a fête in a Chinese palace. It is a medley of Chinese and Japanese details intended as a take-off upon the treatment of Chinese subjects by the painters of the classic schools. 181 The hour of the Boar (9 to 12 P.M.). One of a set illustrating the twelve hours into which the Japanese day is divided. _ 182 Diptych._ Women in a nobleman’s palace, painting kakemono. 183 Yoshiwara beauties on parade. 183a A sheet from the “Washing day” triptych. 184 Woman helping a man attire himself in ceremonial dress. 185 Woman bending over to see a baby which another woman is nursing while seated before a mirror, arranging her hair. 186 Woman talking to a fan-mount vendor. _ 187 Triptych._ The persimmon-gatherers. _ 188 Triptych._ Procession of a noble lady and women attendants on their way to a temple, bearing offerings. LENT BY HOWARD MANSFIELD. _ 189 Triptych._ Shadows on the shoji. Illustrations of three effects of sake (rice wine). 190 Woman arranging flowers. 191 The kitchen. One sheet of a diptych. 192 A night excursion. One of Utamaro’s most famous prints. LENT BY HAMILTON EASTER FIELD.