Japanese Literature: Including Selections from Genji Monogatari and Classical Poetry and Drama of Japan
General
Japanese Literature: Including Selections from Genji Monogatari and Classical Poetry and Drama of Japan
Japan -- Literary collections; Japanese literature -- Translations into English
"The thoughts of his Majesty may be even as your own," said the Miobu.
"Often when he alluded to his overpowering affection for her, he said
that perhaps all this might have been because their love was destined
not to last long. And that though he ever strove not to injure any
subject, yet for Kiri-Tsubo, and for her alone, he had sometimes
caused the ill-will of others; that when all this has been done, she
was no more! All this he told me in deep gloom, and added that it made
him ponder on their previous existence."
The night was now far advanced, and again the Miobu rose to take
leave. The moon was sailing down westward and the cool breeze was
waving the herbage to and fro, in which numerous _mushi_ were
plaintively singing.[12] The messenger, being still somehow unready to
start, hummed--
"Fain would one weep the whole night long,
As weeps the Sudu-Mushi's song,
Who chants her melancholy lay,
Till night and darkness pass away."
As she still lingered, the lady took up the refrain--
"To the heath where the Sudu-Mushi sings,
From beyond the clouds[13] one comes from on high
And more dews on the grass around she flings,
And adds her own, to the night wind's sigh."
A Court dress and a set of beautiful ornamental hairpins, which had
belonged to Kiri-Tsubo, were presented to the Miobu by her hostess,
who thought that these things, which her daughter had left to be
available on such occasions, would be a more suitable gift, under
present circumstances, than any other.
On the return of the Miobu she found that the Emperor had not yet
retired to rest. He was really awaiting her return, but was apparently
engaged in admiring the Tsubo-Senzai--or stands of flowers--which were
placed in front of the palaces, and in which the flowers were in full
bloom. With him were four or five ladies, his intimate friends, with
whom he was conversing. In these days his favorite topic of
conversation was the "Long Regret."[14] Nothing pleased him more than
to gaze upon the picture of that poem, which had been painted by
Prince Teishi-In, or to talk about the native poems on the same
subject, which had been composed, at the Royal command, by Ise, the
poetess, and by Tsurayuki, the poet. And it was in this way that he
was engaged on this particular evening.
To him the Miobu now went immediately, and she faithfully reported to
him all that she had seen, and she gave to him also the answer to his
letter. That letter stated that the mother of Kiri-Tsubo felt honored
by his gracious inquiries, and that she was so truly grateful that she
scarcely knew how to express herself. She proceeded to say that his
condescension made her feel at liberty to offer to him the
following:--
"Since now no fostering love is found,
And the Hagi tree is dead and sere,
The motherless deer lies on the ground,
Helpless and weak, no shelter near."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account