Japanese Literature: Including Selections from Genji Monogatari and Classical Poetry and Drama of Japan
General
Japanese Literature: Including Selections from Genji Monogatari and Classical Poetry and Drama of Japan
Japan -- Literary collections; Japanese literature -- Translations into English
Weeks and months had elapsed, and the son of Kiri-Tsubo was again at
the Palace. In the spring of the following year the first Prince was
proclaimed heir-apparent to the throne. Had the Emperor consulted his
private feelings, he would have substituted the younger Prince for the
elder one. But this was not possible, and, especially for this
reason:--There was no influential party to support him, and, moreover,
public opinion would also have been strongly opposed to such a
measure, which, if effected by arbitrary power, would have become a
source of danger. The Emperor, therefore, betrayed no such desire, and
repressed all outward appearance of it. And now the public expressed
its satisfaction at the self-restraint of the Emperor, and the mother
of the first Prince felt at ease.
In this year, the mother of Kiri-Tsubo departed this life. She may not
improbably have longed to follow her daughter at an earlier period;
and the only regret to which she gave utterance, was that she was
forced to leave her grandson, whom she had so tenderly loved.
From this time the young Prince took up his residence in the Imperial
palace; and next year, at the age of seven, he began to learn to read
and write under the personal superintendence of the Emperor. He now
began to take him into the private apartments, among others, of the
Koki-den, saying, "The mother is gone! now at least, let the child be
received with better feeling." And if even stony-hearted warriors, or
bitter enemies, if any such there were, smiled when they saw the boy,
the mother of the heir-apparent, too, could not entirely exclude him
from her sympathies. This lady had two daughters, and they found in
their half-brother a pleasant playmate. Every one was pleased to greet
him, and there was already a winning coquetry in his manners, which
amused people, and made them like to play with him. We need not allude
to his studies in detail, but on musical instruments, such as the
flute and the _koto_,[16] he also showed great proficiency.
About this time there arrived an embassy from Corea, and among them
was an excellent physiognomist. When the Emperor heard of this, he
wished to have the Prince examined by him. It was, however, contrary
to the warnings of the Emperor Wuda, to call in foreigners to the
Palace. The Prince was, therefore, disguised as the son of one
Udaiben, his instructor, with whom he was sent to the Koro-Kwan, where
foreign embassies are entertained.
When the physiognomist saw him, he was amazed, and, turning his own
head from side to side, seemed at first to be unable to comprehend the
lines of his features, and then said, "His physiognomy argues that he
might ascend to the highest position in the State, but, in that case,
his reign will be disturbed, and many misfortunes will ensue. If,
however, his position should only be that of a great personage in the
country, his fortune may be different."
Public-domain text, read in full here on John Shaqi.
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