This picture is the life of this man, and it represents many scenes, not only of his country but of foreign ones, which cannot fail to be interesting. We therefore dare to place this one above the other in merit." The ground of this picture was thick white tinted paper, the outer cover was green, and the centre stick jade. The picture was by Tsunenori, and the writing by Michikage. It was in the highest taste of the period. The left made no more protestation against the right. Next the romance of Ise by the left, and that of Shio-Sammi by the right, were brought into competition. Here again the relative merit was very difficult to be decided at once. That of the right had apparently more charms than that of the other, since it beautifully represented the society of a more recent period. Hei-Naishi, of the left, therefore said, "If leaving the depths of Ise's night-sea, We follow the fancies of new-fashioned dreams, All the beauty and skill of the ancients will be Swept away by the current of art's modern streams. Who would run down the fame of Narihira for the sake of the pretentious humbug of our own days?" Then Daini-no-Naishi-no-Ske, of the right, replied, "The noble mind that soars on high, Beyond the star-bespangled sky; Looks down with ease on depths that lie A thousand fathoms 'neath his eye."[130] Upon this, the Empress-mother interceded. She said, that "The exalted nobility of Lord Hioye[131] may not, indeed, be passed over without notice, yet the name of Narihira could not altogether be eclipsed by his. Though too well-known to all may be The lovely shore of Ise's sea; Its aged fisher's honored name, A tribute of respect may claim." There were several more rolls to be exhibited, and the rival protestations on both sides became very warm, so that one roll occasioned considerable discussion. While this was going on, Genji arrived on the scene. He suggested to them that if there was any competition at all it should be decided on a specially appointed day, in a more solemn manner, in the presence of the Emperor. This suggestion having been adopted, the discussion came to an end. The day for this purpose was fixed. The ex-Emperor, who had been informed of this, presented several pictures to the lady of the plum-chamber. They were mostly illustrations of Court Festivals, on which there were explanatory remarks written by the Emperor Yenghi. Besides these, there was one which had been expressly executed at his own order by Kim-mochi. This was an illustration of the ceremony which took place at his palace on the departure of the lady for Ise, some time back, when she had gone there as the Saigu. It was also probable that some of his pictures came into the possession of her rival, the Lady Kokiden, through his mother (as the mother of the former was a sister of the latter).