Japanese Literature: Including Selections from Genji Monogatari and Classical Poetry and Drama of Japan
General
Japanese Literature: Including Selections from Genji Monogatari and Classical Poetry and Drama of Japan
Japan -- Literary collections; Japanese literature -- Translations into English
When the day arrived every arrangement was made in the large saloon at
the rear of the Palace, where the Imperial seat was placed at the top.
The Court ladies of both parties--those of the lady of the
plum-chamber, and those of the lady of Kokiden--were arranged
respectively left and right, the left, or those of the lady of the
plum-chamber, facing southwards, and those of the right, northwards.
All the courtiers also took the places allotted to them. Here the
pictures were brought. The box, containing those of the left was of
purple Azedarach. The stand on which the box was placed was of safran,
and over this was thrown a cover of Chinese brocade with a mauve
ground. The seat underneath was of Chinese colored silk. Six young
girls brought all this in, and arranged it all in order. Their Kazami
(outer dress) was of red and cherry color, with tunics of Wistaria
lining (light purple outside, and light green within).
The box which contained the pictures of the right was of "Jin" wood,
the stand of light colored "Jin," the cover of Corean silk with a
green ground. The legs of the stand, which were trellised round with a
silken cord, showed modern and artistic taste. The Kazami of the young
girls was of willow lining (white outside and green within), and their
tunics were of Kerria japonica lining (or yellow outside and light red
within). Both Genji and Gon-Chiunagon were present, by the Emperor's
special invitation, as also the Prince Lord-Lieutenant of Tzkushi who
loved pictures above all things, and he was consequently chosen umpire
for this day's competition. Many of the pictures were highly
admirable, and it was most difficult to make any preference between
them. For instance, if there was produced by one party a roll of "The
Season," which was the masterpiece of some old master, on selected
subjects; there was produced also, by the other party, a roll of
sketches on paper, which were scarcely inferior to, and more
ornamented with flourishing than the ancient works, in spite of the
necessary limitation of space which generally makes the wide expanse
of scenery almost too difficult to express. Thus the disputes on both
sides were very warm.
Public-domain text, read in full here on John Shaqi.
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