Japanese Literature: Including Selections from Genji Monogatari and Classical Poetry and Drama of Japan — John Shaqi
Japanese Literature: Including Selections from Genji Monogatari and Classical Poetry and Drama of Japan
General
Japanese Literature: Including Selections from Genji Monogatari and Classical Poetry and Drama of Japan
Japan -- Literary collections; Japanese literature -- Translations into English
He then descended into the Court-yard, and gave expression to his
thanks in the same manner in which Genji had previously done. A horse
from the Imperial stables and a falcon from the Kurand-Dokoro[21] were
on view in the yard, and were now presented to him. The princes and
nobles were all gathered together in front of the grand staircase, and
appropriate gifts were also presented to each one of them. Among the
crowd baskets and trays of fruits and delicacies were distributed by
the Emperor's order, under the direction of Udaiben; and more
rice-cakes and other things were given away now than at the Gembuk of
the Heir-apparent.
In the evening the young Prince went to the mansion of the Sadaijin,
where the espousal with the young daughter of the latter was
celebrated with much splendor. The youthfulness of the beautiful boy
was well pleasing to Sadaijin; but the bride, who was some years older
than he was, and who considered the disparity in their age to be
unsuitable, blushed when she thought of it.
Not only was this Sadaijin himself a distinguished personage in the
State, but his wife was also the sister of the Emperor by the same
mother, the late Empress; and her rank therefore was unequivocal. When
to this we add the union of their daughter with Genji, it was easy to
understand that the influence of Udaijin, the grandfather of the
Heir-apparent, and who therefore seemed likely to attain great power,
was not after all of very much moment.
Sadaijin had several children. One of them, who was the issue of his
Royal wife, was the Kurand Shioshio.
Udaijin was not, for political reasons, on good terms with this
family; but nevertheless he did not wish to estrange the youthful
Kurand. On the contrary, he endeavored to establish friendly relations
with him, as was indeed desirable, and he went so far as to introduce
him to his fourth daughter, the younger sister of the Koki-Den.
Genji still resided in the palace, where his society was a source of
much pleasure to the Emperor, and he did not take up his abode in a
private house. Indeed, his bride, Lady Aoi (Lady Hollyhock), though
her position insured her every attention from others, had few charms
for him, and the Princess Wistaria much more frequently occupied his
thoughts. "How pleasant her society, and how few like her!" he was
always thinking; and a hidden bitterness blended with his constant
reveries.
The years rolled on, and Genji being now older was no longer allowed
to continue his visits to the private rooms of the Princess as before.
But the pleasure of overhearing her sweet voice, as its strains flowed
occasionally through the curtained casement, and blended with the
music of the flute and _koto_, made him still glad to reside in the
Palace. Under these circumstances he seldom visited the home of his
bride, sometimes only for a day or two after an absence of five or six
at Court.
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