Japanese Literature: Including Selections from Genji Monogatari and Classical Poetry and Drama of Japan
General
Japanese Literature: Including Selections from Genji Monogatari and Classical Poetry and Drama of Japan
Japan -- Literary collections; Japanese literature -- Translations into English
[Footnote 14: A famous Chinese poem, by Hak-rak-ten. The heroine of
the poem was Yo-ki-hi, to whom we have made reference before. The
story is, that after death she became a fairy, and the Emperor sent a
magician to find her. The works of the poet Peh-lo-tien, as it is
pronounced by modern Chinese, were the only poems in vogue at that
time. Hence, perhaps, the reason of its being frequently quoted.]
[Footnote 15: There were two divisions of the Imperial guard, right
and left.]
[Footnote 16: The general name for a species of musical instrument
resembling the zither, but longer.]
[Footnote 17: In these days Imperial Princes were often created
founders of new families, and with some given name, the Gen being one
most frequently used. These Princes had no longer a claim to the
throne.]
[Footnote 18: The ceremony of placing a crown or coronet upon the head
of a boy. This was an ancient custom observed by the upper and middle
classes both in Japan and China, to mark the transition from boyhood
to youth.]
[Footnote 19: Before the crown was placed upon the head at the Gembuk,
the hair was gathered up in a conical form from all sides of the head,
and then fastened securely in that form with a knot of silken cords of
which the color was always purple.]
[Footnote 20: The color of purple typifies, and is emblematical of,
love.]
[Footnote 21: A body of men who resembled "Gentlemen-at-arms," and a
part of whose duty it was to attend to the falcons.]
CHAPTER II
THE BROOM-LIKE TREE
Hikal Genji--the name is singularly well known, and is the subject of
innumerable remarks and censures. Indeed, he had many intrigues in his
lifetime, and most of them are vividly preserved in our memories. He
had always striven to keep all these intrigues in the utmost secrecy,
and had to appear constantly virtuous. This caution was observed to
such an extent that he scarcely accomplished anything really romantic,
a fact which Katano-no-Shioshio[22] would have ridiculed.
Even with such jealous watchfulness, secrets easily transpire from one
to another; so loquacious is man! Moreover, he had unfortunately from
nature a disposition of not appreciating anything within easy reach,
but of directing his thought in undesirable quarters, hence sundry
improprieties in his career.
Public-domain text, read in full here on John Shaqi.
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