Swords -- Collectors and collecting -- Catalogs; Swords -- Japan -- Catalogs; Yamanaka & Company -- Catalogs
Transcriber's Note:
Every effort has been made to replicate this text as faithfully as
possible. Some apparent errors in the use of diacritical marks have
been amended.
Italic text has been marked with _underscores_.
JAPANESE SWORDS
[Illustration]
YAMANAKA & CO.
127, New Bond Street, London.
April, 1913.
JAPANESE SWORDS
Amongst the numberless articles of Japanese attire, works of art or mere
household objects which the Restoration of 1868 compelled the Japanese
to cast upon the market, none has met with such wide fame and yet with
such a limited study as the Sword. When, in 1877, the Government
prohibited the Samurai from wearing any longer the two swords which had
been the privilege and distinctive mark of their martial caste, the
Imperial wish was obeyed, notwithstanding the feeling that something was
snapping in the life of the nation. Blades had been treasured for
centuries, handed from father to son, looked upon as the soul of the
owner for the sake of which he would refrain from any deed unbecoming a
gentleman; some possessed histories going far back into the eleventh and
twelfth centuries, when the country was at war within itself, around
others were entwined romances, and above all, the sword was the faithful
friend with which the Samurai might honourably end his life, either in
the field or on the mats. A blade given by a father to his daughter on
her wedding day was the emblem of that purity of life which the woman
was expected to keep, and it was also the weapon with which she might
seek repose in death, should occasion arise. The Restoration breaking up
the old feudal system compelled the Samurai to part with their worldly
goods to secure the necessities of life, the rich became poor, the poor
lost all support, hence anything which might tempt the foreign buyer
went swiftly out of the country; the circumstances had become rather
more straitened for the Samurai class when the edict of 1877 compelled
them to put aside their swords, and blades followed the lacquer, the
paintings, the carvings which eager curio buyers snapped at inadequate
prices. Many swords of first quality crossed the waters, besides
thousands of poor blades which could be bought in dozens in the stores
and bazaars of the old world. Hardly any attempt was made at keeping in
the country any blades except those which were, so to speak, entailed
heirlooms or those whose owners refused to part with at any price.
Later, a few earnest people banded themselves into a Society for the
preservation and study of the National weapon: the Sword Society of
Tokyo, which has published, during the last twelve years, a mass of
information about swords. Collecting swords has become a national
propensity, and the modern sword lover may have more blades, carefully
kept and oft admired, than his ancestor of a century ago who could only
wear two at a time. Magazines have sprung into existence dealing only
with the sword and its accessories.
Public-domain text, read in full here on John Shaqi.
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