Man-woman relationships -- Fiction; New York (N.Y.) -- Social life and customs -- Fiction; Young men -- Fiction
"Enough as far as music is concerned," she said impatiently. "Did you
ever see a musical virtuoso whom a real man didn’t want to kick? And as
for you," she added, "you are a traitor. You said you would ask me to
dance. Now, if you ask me, I _won’t_!"
Still playing, he continued to look up at her smilingly.
"What do you really care about me anyway?" he said. "I wish you’d tell
me, Diana."
"Honestly, or flippantly?"
"Honestly."
"Masks off, you mean?"
"Yes—as far off as they’ll come."
"I care a lot about you."
"You say it too frankly," he laughed.
"What I say, I say.... Did you find Christine Rivett agreeable at
dinner?"
"She’s interesting."
"Is _that_ all!" evidently disappointed.
"Well, she’s very fetching."
"That is far more serious."
"Indeed, it is. I’ve qualified as an aspirant for her hand and fortune
already."
"I don’t doubt it," she returned calmly. "That’s one reason her father
decided to employ us."
She said it unsmiling, and after he had looked up at her once or twice
he said: "Of course you are joking."
"Ob, yes; it’s one kind of a jest. Meanwhile here comes a young person
in black—doubtless mademoiselle.... I’m not going to dance with you;
don’t compose your features in that smug fashion. You’re a traitor, and
I won’t."
She turned on her heel and advanced leisurely toward Colonel Curmew, who
immediately began to twirl his mustache and shoot his cuffs, when,
without warning, she sheered off into the receptive arms of Jack Rivett,
and was presently drifting across the room in a Viennese waltz.
Others were dancing now; Edgerton went over and asked his hostess—an old
New York custom now obsolete—who colored and smiled at him, explaining
that she had renounced that art with the advent of rheumatism. So,
after a while, he took out her daughter Christine—also an obsolete
custom—who soon, however, had enough of him as a dancer, and took him
into the conservatory.
The others danced until supper time; midnight found them separating on
the stairs. Edgerton and Christine Rivett had rather a prolonged
leave-taking, then shook hands cordially in plain view of everybody.
Diana, passing with Silvette, said a careless good night to him.
Silvette, retaining her sister’s arm, detained him for a moment in
conversation; then they went away together, Diana dismissing him with an
inattentive nod.
But, as he was prepared for his pillow, a servant brought an envelope to
his door and tucked it under the sill.
Inside was a single line:
"Good night, Jim."
The handwriting was now familiar to him.
*CHAPTER VI*
*PACTA CONVENTA*
Guests arrived and guests departed from Adriutha, but the original
gathering remained.
The people who came and went were about the kind that Edgerton had
expected to encounter—people identified with nothing in particular
except money, and not always with that.
Public-domain text, read in full here on John Shaqi.
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