Cape of Good Hope (South Africa) -- Fiction; English fiction; Xhosa (African people) -- Fiction
The glory of the sun had departed, but there was twilight, which makes
the summer day of the Cape so much longer and pleasanter than that of
the tropics. The door of the great room at Vanbloem's stood wide open,
and the coarse, flaring, home-made candles shed their flickering rays on
a group assembled to look at the two Englishmen. To the family party
were now added three or four Hottentot servant-girls, their woolly locks
concealed beneath bright-coloured _douks_ (head-kerchiefs). They had a
smart air, for they were arrayed in flaunting colours. Scarlet or
yellow bodices set off a striped or elaborately-patched petticoat, ample
in width and scanty in length, displaying ankles that fine ladies would
have coveted and feet proportionally minute. A bevy of children, very
merry, very noisy, and very dirty, were chattering together at play, and
looking in at an open window, with the strong light falling on their
dusky forms, round which, their blankets loosely and gracefully draped,
were two Kafir herdsmen. Their crisp hair, thicker than that of the
Hottentots, was elaborately _coiffe_, being stiffened with red clay;
round their well-shaped throats were necklaces of beads intermixed with
wolves' teeth, and sundry rude ornaments adopted as charms, having been
endued with certain magic powers by the witch doctors or rain-makers of
the tribe. Their wrists were encircled by brazen bangles, and each
carried his snuffbox, a miniature tortoise-shell, with its long ivory
spoon appended by a brazen chain.
One of them was in the act of putting a spoonful of the mixture into his
mouth, when Ormsby walked up to him, and with great deliberation began
examining him with the same curiosity that a naturalist would have
evinced on seeing some newly-discovered animal. Both Kafirs returned
his survey with a steady gaze.
In strong contrast to these sculptured and dignified-looking beings,
rose the noise of chattering among the other occupants of the house and
_stoep_ [the platform that runs along the front of all Dutch houses].
The old patriarch and his wife indeed maintained their usual
taciturnity, and sat just within the door, their chairs having been
moved there by their son, for the filial deference of the Dutch is
remarkable.
At last some of the Hottentots, who had retired to a corner of the
stoep, after a due examination of the travellers, began singing in a
soprano key; the men coming from the farm-yards and joining them in
deeper tones, all in perfect harmony, and some of the voices exceedingly
pleasing.
It was an old but popular air, one which had found its way, like an
angel's voice, across the waters, into the wilderness. It was a hymn
sung to the tune of "Home, sweet Home!"
The sopranos were a little tremulous, to be sure, but true to time and
tune, and the bass voices gave solemnity to the chorus.
Public-domain text, read in full here on John Shaqi.
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