Scotland -- Social life and customs -- Fiction; Scots -- Foreign countries -- Fiction; Short stories
“I went at noon to the tall white house, and was shown into a room where
sat Margory, white to the lips, beside the window, out of which she
looked after a single hopeless glance at me. A middle-aged gentleman in
mufti, with an empty sleeve, stood beside her, and closely scrutinised
myself and my instrument as I entered.
“‘This is the—the person you have referred to?’ he asked her, and she
answered with a sob and an inclination of her head.
“‘You have come—you are reputed to have come of a respectable family,’ he
said then, addressing me; ‘you have studied at Edinburgh; you have, I am
told, some pretensions to being something of a gentleman.’
“‘I hope they are no pretensions, sir,’ I answered warmly. ‘My people
are as well known and as reputable as any in Argyll, though I should be
foolishly beating a drum.’
“‘Very good,’ said he, in no way losing his composure. ‘I can depend on
getting the truth from you, I suppose? You were with the 71st as drummer
at Ciudad Rodrigo?’
“‘I was, sir,’ I replied. ‘Also at Badajos, at Talavera, Busaco—’
“‘An excellent record!’ he interrupted. ‘I might have learned all about
it later had not my wound kept me two months in hospital after Ciudad.
By the way, you remember being sent as drummer with a picket of men down
a lane?’
“I started, gave a careful look at him, and recognised the General whose
life I had doubtless saved from the pillaging Portuguese.
“‘I do, sir,’ I answered. ‘It was you yourself who sent me.’
“He turned with a little air of triumph to Margory. ‘I told you so, my
dear,’ said he. ‘I got but a distant glimpse of him this forenoon, and
thought I could not be mistaken.’ And Margory sobbed.
“‘My lad,’ he said, visibly restraining some emotion, ‘I could ask your
drum-major to take the cords of Kildalton my brother’s drum and whip you
out of a gallant corps. I sent you with a picket—a brave lad, as I
thought any fellow should be who played Kildalton’s drum, and you came
back a snivelling poltroon. Nay—nay!’ he cried, lifting up his hand and
checking my attempt at an explanation. ‘You came out of that infernal
lane whimpering like a child, after basely deserting your comrades of the
picket, and made the mutilated condition of your drum the excuse for
refusing my order to go back again, and I, like a fool, lost a limb in
showing you how to do your duty.’
“‘But, General—’ I cried out.
“‘Be off with you!’ he cried. ‘Another word, and I shall have you
thrashed at the triangle.’
“He fairly thrust me from the room, and the last I heard was Margory’s
sobbing.
“Next day I was packed off to the regimental depot, and some weeks later
played a common drum at Salamanca.”
* * * * *
The sculptor rubbed the clay from his hands and took off his overall.
“That will do to-day, I think,” said he. “I am much better pleased than
I was yesterday,” and he looked at his work with satisfaction.
Public-domain text, read in full here on John Shaqi.
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