Jean-Christophe in Paris: The Market-Place, Antoinette, the HouseRolland, Romain
General
Jean-Christophe in Paris: The Market-Place, Antoinette, the House
Rolland, Romain
Epic literature; French fiction -- Translations into English; Musicians -- Fiction; Paris (France) -- Fiction; Psychological fiction
She was only concerned with Christophe. She had the insight of her
tenderness, and saw that he was suffering, without his saying a word. She
exaggerated it in her childish, uneasy regard for him. She thought that
Christophe was in love with Colette, when he had really no more than an
exacting friendship. She thought he was unhappy, and she was unhappy for
him, and she had little reward for her anxiety. She paid for it when
Colette had infuriated Christophe: then he was surly and avenged himself on
his pupil, waxing wrathful with her mistakes. One morning when Colette had
exasperated him more than usual, he sat down by the piano so savagely that
Grazia lost the little nerve she had: she floundered: he angrily scolded
her for her mistakes: then she lost her head altogether: he fumed, wrung
his hands, declared that she would never do anything properly, and that she
had better occupy herself with cooking, sewing, anything she liked, only,
in Heaven's name, she must not go on with her music! It was not worth the
trouble of torturing people with her mistakes. With that he left her in the
middle of her lesson. He was furious. And poor Grazia wept, not so much for
the humiliation of anything he had said to her, as for despair at not being
able to please Christophe, when she longed to do so, and could only succeed
in adding to his sufferings. The greatest grief was when Christophe ceased
to go to the Stevens' house. Then she longed to go home. The poor child, so
healthy, even in her dreams, in whom there was much of the sweet peace of
the country, felt ill at ease in the town, among the neurasthenic, restless
women of Paris. She never dared say anything, but she had come to a fairly
accurate estimation of the people about her. But she was shy, and, like her
father, weak, from kindness, modesty, distrust of herself. She submitted
to the authority of her domineering aunt and her cousin, who was used to
tyrannizing over everybody. She dared not write to her father, to whom she
wrote regularly long, affectionate letters:
"Please, please, take me home!"
And her father dared not take her home, in spite of his own longing: for
Madame Stevens had answered his timid advances by saying that Grazia was
very well off where she was, much better off than she would be with him,
and that she must stay for the sake of her education.
Public-domain text, read in full here on John Shaqi.
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