Jean-Christophe in Paris: The Market-Place, Antoinette, the HouseRolland, Romain
General
Jean-Christophe in Paris: The Market-Place, Antoinette, the House
Rolland, Romain
Epic literature; French fiction -- Translations into English; Musicians -- Fiction; Paris (France) -- Fiction; Psychological fiction
But there came a time when her exile was too hard for the little southern
creature, a time when she had to fly back towards the light.--That was
after Christophe's concert. She went to it with the Stevens: and she
was tortured by the hideous sight of the rabble amusing themselves with
insulting an artist.... An artist? The man who, in Grazia's eyes, was the
very type of art, the personification of all that was divine in life! She
was on the point of tears; she longed to get away. She had to listen to
all the caterwauling, the hisses, the howls, and, when they reached home,
to the laughter of Colette as she exchanged pitying remarks with Lucien
Lévy-Coeur. She escaped to her room, and through part of the night she
sobbed: she spoke to Christophe, and consoled him: she would gladly have
given her life for him, and she despaired of ever being able to do anything
to make him happy. It was impossible for her to stay in Paris any longer.
She begged her father to take her away, saying:
"I cannot live here any longer; I cannot: I shall die if you leave me here
any longer."
Her father came at once, and though it was very painful to them both to
stand up to her terrible aunt, they screwed up their courage for it by a
desperate effort of will.
Grazia returned to the sleepy old estate. She was glad to get back to
Nature and the creatures that she loved. Every day she gathered comfort
for her sorrow, but in her heart there remained a little of the melancholy
of the North, like a veil of mist, that very slowly melted away before
the sun. Sometimes she thought of Christophe's wretchedness. Lying on the
grass, listening to the familiar frogs and grasshoppers, or sitting at her
piano, which now she played more often than before, she would dream of the
friend her heart had chosen: she would talk to him, in whispers, for hours
together, and it seemed not impossible to her that one day he would open
the door and come in to her. She wrote to him, and, after long hesitation,
she sent the letter, unsigned, which, one day, with beating heart, she went
secretly and dropped into the box in the village two miles away, beyond the
long plowed fields,--a kind, good, touching letter, in which she told him
that he was not alone, that he must not be discouraged, that there was
one who thought of him, and loved him, and prayed to God for him,--a poor
little letter, which was lost in the post, so that he never received it.
Then the serene, monotonous days succeeded each other in the life of his
distant friend. And the Italian peace, the genius of tranquillity, calm
happiness, silent contemplation, once more took possession of that chaste
and silent heart, in whose depths there still burned, like a little
constant flame, the memory of Christophe.
* * * * *
Public-domain text, read in full here on John Shaqi.
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