Jean-Christophe in Paris: The Market-Place, Antoinette, the House — John Shaqi
Jean-Christophe in Paris: The Market-Place, Antoinette, the HouseRolland, Romain
General
Jean-Christophe in Paris: The Market-Place, Antoinette, the House
Rolland, Romain
Epic literature; French fiction -- Translations into English; Musicians -- Fiction; Paris (France) -- Fiction; Psychological fiction
At lunch he gorged with the appetite of a man who has not broken fast for
two days. He tucked his napkin round his neck, and ate with his knife.
Kohn-Hamilton was horribly shocked by his voracity and his peasant manners.
And he was, hurt, too, by the small amount of attention that his guest gave
to his bragging. He tried to dazzle him by telling of his fine connections
and his prosperity: but it was no good: Christophe did not listen, and
bluntly interrupted him. His tongue was loosed, and he became familiar. His
heart was full, and he overwhelmed Kohn with his simple confidences of his
plans for the future. Above all, he exasperated him by insisting on taking
his hand across the table and pressing it effusively. And he brought him to
the pitch of irritation at last by wanting to clink glasses in the German
fashion, and, with sentimental speeches, to drink to those at home and
to _Vater Rhein_. Kohn saw, to his horror, that he was on the point of
singing. The people at the next table were casting ironic glances in their
direction. Kohn made some excuse on the score of pressing business, and got
up. Christophe clung to him: he wanted to know when he could have a letter
of introduction, and go and see some one, and begin giving lessons.
"I'll see about it. To-day--this evening," said Kohn. "I'll talk about you
at once. You can be easy on that score."
Christophe insisted.
"When shall I know?"
"To-morrow ... to-morrow ... or the day after."
"Very well. I'll come back to-morrow."
"No, no!" said Kohn quickly. "I'll let you know. Don't you worry."
"Oh! it's no trouble. Quite the contrary. Eh? I've nothing else to do in
Paris in the meanwhile."
"Good God!" thought Kohn.... "No," he said aloud. "But I would rather write
to you. You wouldn't find me the next few days. Give me your address."
Christophe dictated it.
"Good. I'll write you to-morrow."
"To-morrow?"
"To-morrow. You can count on it"
He cut short Christophe's hand-shaking and escaped.
"Ugh!" he thought. "What a bore!"
As he went into his office he told the boy that he would not be in when
"the German" came to see him. Ten minutes later he had forgotten him.
Christophe went back to his lair. He was full of gentle thoughts.
"What a good fellow! What a good fellow!" he thought. "How unjust I was
about him. And he bears me no ill-will!"
He was remorseful, and he was on the point of writing to tell Kohn how
sorry he was to have misjudged him, and to beg his forgiveness for all the
harm he had done him. The tears came to his eyes as he thought of it. But
it was harder for him to write a letter than a score of music: and after he
had cursed and cursed the pen and ink of the hotel--which were, in fact,
horrible--after he had blotted, criss-crossed, and torn up five or six
sheets of paper, he lost patience and dropped it.
Public-domain text, read in full here on John Shaqi.
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