Jean-Christophe in Paris: The Market-Place, Antoinette, the HouseRolland, Romain
General
Jean-Christophe in Paris: The Market-Place, Antoinette, the House
Rolland, Romain
Epic literature; French fiction -- Translations into English; Musicians -- Fiction; Paris (France) -- Fiction; Psychological fiction
This sturdy, jovial, active little man had taken to wife a woman of a
very different character,--the daughter of a country magistrate, Lucie de
Villiers. The De Villiers--or rather Devilliers, for their name had split
in its passage through time, like a stone which cracks in two as it goes
hurtling down a hillside--were magistrates from father to son; they were of
that old parliamentary race of Frenchmen who had a lofty idea of the law,
and duty, the social conventions, their personal, and especially their
professional, dignity, which was fortified by perfect honesty, tempered
with a certain conscious uprightness. During the preceding century they had
been infected by nonconformist Jansenism, which had given them a grumbling
pessimistic quality, as well as a contempt for the Jesuit attitude of mind.
They did not see life as beautiful: and, rather than smooth away life's
difficulties, they preferred to exaggerate them so as to have good reason
to complain. Lucie de Villiers had certain of these characteristics, which
were so directly opposed to the not very refined optimism of her husband.
She was tall--taller than he by a head--slender, well made; she dressed
well and elegantly, though in a rather sober fashion, which made her
seem--perhaps designedly--older than she was: she was of a high moral
quality: but she was hard on other people; she would countenance no fault,
and hardly even a caprice: she was thought cold and disdainful. She was
very pious, and that gave rise to perpetual disputes with her husband.
For the rest, they were very fond of each other: and, in spite of their
frequent disagreements, they could not have lived without each other. They
were both rather unpractical: he from want of perception--(he was always
in danger of being taken in by good looks and fine words),--she from her
absolute inexperience of business--(she knew nothing about it: and having
always been kept outside it, she took no interest in it).
* * * * *
They had two children: a girl, Antoinette, the elder by five years; and a
boy, Olivier.
Antoinette was a pretty dark-haired child, with a charming, honest face of
the French type, round, with sharp eyes, a round forehead, a fine chin,
a little straight nose--"one of those very pretty, fine, noble noses" (as
an old French portrait-painter says so charmingly) "in which there was
a certain imperceptible play of expression, which animated the face,
and revealed the subtlety of the workings of her mind as she talked or
listened." She had her father's gaiety and carelessness.
Public-domain text, read in full here on John Shaqi.
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