Jean-Christophe in Paris: The Market-Place, Antoinette, the HouseRolland, Romain
General
Jean-Christophe in Paris: The Market-Place, Antoinette, the House
Rolland, Romain
Epic literature; French fiction -- Translations into English; Musicians -- Fiction; Paris (France) -- Fiction; Psychological fiction
Olivier was a delicate fair boy, short, like his father, but very different
in character. His health had been undermined by one illness after another
when he was a child: and although, as a result, he was petted by his
family, his physical weakness had made him a melancholy, dreamy little boy,
who was afraid of death and very poorly equipped for life. He was shy, and
preferred to be alone: he avoided the society of other children: he was
ill at ease with them: he hated their games and quarrels: their brutality
filled him with horror. He let them strike him, not from want of courage,
but from timidity, because he was afraid to defend himself, afraid of
hurting them: they would have bullied the life out of him, but for the
safeguard of his father's position. He was tender-hearted and morbidly
sensitive: a word, a sign of sympathy, a reproach, were enough to make him
burst into tears. His sister was much sturdier, and laughed at him, and
called him a "little fountain."
The two children were devoted to each other: but they were too different
to live together. They went their own ways and lived in their own dreams.
As Antoinette grew up, she became prettier: people told her so, and she
was well aware of it: it made her happy, and she wove romances about the
future. Olivier, in his sickly melancholy, was always rubbed up the wrong
way by contact with the outer world: and he withdrew into the circle of his
own absurd little brain: and he told himself stories. He had a burning,
almost feminine, longing to love and be loved: and, living alone, away from
boys of his own age, he had invented two or three imaginary friends: one
was called Jean, another Étienne, another François: he was always with
them. He never slept well, and he was always dreaming. In the morning, when
he was lifted out of bed, he would forget himself, and sit with his bare
legs dangling down, or sometimes with two stockings on one leg. He would go
off into a dream with his hands in the basin. He would forget himself at
his desk in the middle of writing or learning a lesson: he would dream for
hours on end: and then he would suddenly wake up, horrified to find that he
had learned nothing. At dinner he was abashed if any one spoke to him: he
would reply two minutes after he had been spoken to: he would forget what
he was going to say in the middle of a sentence. He would doze off to the
murmuring of his thoughts and the familiar sensations of the monotonous
provincial days that marched so slowly by: the great half-empty house, only
part of which they occupied: the vast and dreadful barns and cellars: the
mysterious closed rooms, the fastened shutters, the covered furniture,
veiled mirrors, and the chandeliers wrapped up: the old family portraits
with their haunting smiles: the Empire engravings, with their virtuous,
suave heroism: _Alcibiades and Socrates in the House of the Courtezan_,
_Antiochus and Stratonice_, _The Story of Epaminondas_, _Belisarius
Begging_....
Public-domain text, read in full here on John Shaqi.
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