Jean-Christophe in Paris: The Market-Place, Antoinette, the HouseRolland, Romain
General
Jean-Christophe in Paris: The Market-Place, Antoinette, the House
Rolland, Romain
Epic literature; French fiction -- Translations into English; Musicians -- Fiction; Paris (France) -- Fiction; Psychological fiction
Outside, the sound of the smith shoeing horses in the smithy
opposite, the uneven clink of the hammers on the anvil, the snorting of
the broken-winded horses, the smell of the scorched hoofs, the slapping of
the pats of the washerwomen kneeling by the water, the heavy thuds of the
butcher's chopper next door, the clatter of a horse's hoofs on the stones
of the street, the creaking of a pump, or the drawbridge over the canal,
the heavy barges laden with blocks of wood, slowly passing at the end
of the garden, drawn along by a rope: the little tiled courtyard, with
a square patch of earth, in which two lilac-trees grew, in the middle
of a clump of geraniums and petunias: the tubs of laurel and flowering
pomegranate on the terrace above the canal: sometimes the noise of a fair
in the square hard by, with peasants in bright blue smocks, and grunting
pigs.... And on Sunday, at church, the precentor, who sang out of tune, and
the old priest, who went to sleep as he was saying Mass: the family walk
along the station road, where all the time he had to take off his hat
politely to other wretched beings, who were under the same impression of
the necessity of going for a walk all together,--until at last they reached
the sunny fields, above which larks soared invisible,--or along by the
still mirror of the canal, on both sides of which were poplars rustling in
line.... And then there was the great provincial Sunday dinner, when they
went on and on eating and talking about food learnedly and with gusto: for
everybody was a connoisseur: and, in the provinces, eating is the chief
occupation, the first of all the arts. And they would talk business,
and tell spicy yarns, and every now and then discuss their neighbors'
illnesses, going into endless detail.... And the little boy, sitting in his
corner, would make no more noise than a little mouse, pick at his food, eat
hardly anything, and listen with all his ears. Nothing escaped him: and
when he did not understand, his imagination supplied the deficiency. He had
that singular gift, which is often to be remarked in the children of old
families and an old stock, on which the imprint of the ages is too strongly
marked, of divining thoughts, which have never passed through their minds
before, and are hardly comprehensible to them.--Then there was the kitchen,
where bloody and succulent mysteries were concocted: and the old servant
who used to tell him frightful and droll stories.... At last came evening,
the silent flitting of the bats, the terror of the monstrous creatures
that were known to swarm in the dark depths of the old house: huge rats,
enormous hairy spiders: and he would say his prayers, kneeling at the, foot
of his bed, and hardly know what he was saying: the little cracked bell of
the convent hard by would sound the bed-time of the nuns;--and so to bed,
the Island of Dreams....
Public-domain text, read in full here on John Shaqi.
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