Jean-Christophe in Paris: The Market-Place, Antoinette, the HouseRolland, Romain
General
Jean-Christophe in Paris: The Market-Place, Antoinette, the House
Rolland, Romain
Epic literature; French fiction -- Translations into English; Musicians -- Fiction; Paris (France) -- Fiction; Psychological fiction
When he reached home he pretended not to notice his wife's excitement, who
had run to meet him when she heard him come in, and told him volubly and
confusedly what had happened during his absence. She scanned his features
to try and see whether he had succeeded in averting the unknown danger:
but, from pride, she did not ask him anything: she was waiting for him to
speak first. But he did not say a word about the thing that was tormenting
them both. He silently disregarded her desire to confide in him, and to get
him to confide in her. He spoke of the heat, and of how tired he was, and
complained of a racking headache: and they sat down to dinner as usual.
He talked little, and was dull, lost in thought, and his brows were knit:
he drummed with his fingers on the table: he forced himself to eat, knowing
that they were watching him, and looked with vague, unseeing eyes at his
children, who were intimidated by the silence, and at his wife, who sat
stiffly nursing her injured vanity, and, without looking at him, marking
his every movement. Towards the end of dinner he seemed to wake up: he
tried to talk to Antoinette and Olivier, and asked them what they had been
doing during his absence: but he did not listen to their replies, and
heard only the sound of their voices: and although he was staring at them,
his gaze was elsewhere. Olivier felt it: he stopped in the middle of his
prattle, and had no desire to go on. But, after a moment's embarrassment,
Antoinette recovered her gaiety: she chattered merrily, like a magpie, laid
her head on her father's shoulder, or tugged his sleeve to make him listen
to what she was saying. M. Jeannin said nothing: his eyes wandered from
Antoinette to Olivier, and the crease in his forehead grew deeper and
deeper. In the middle of one of his daughter's stories he could bear it no
longer, and got up and went and looked out of the window to conceal his
emotion. The children folded their napkins, and got up too. Madame Jeannin
told them to go and play in the garden: in a moment or two they could be
heard chasing each other down the paths and screaming. Madame Jeannin
looked at her husband, whose back was turned towards her, and she walked
round the table as though to arrange something. Suddenly she went up to
him, and, in a voice hushed by her fear of being overheard by the servants
and by the agony that was in her, she said:
"Tell me, Antoine, what is the matter? There is something the matter ...
You are hiding something ... Has something dreadful happened? Are you ill?"
But once more M. Jeannin put her off, and shrugged his shoulders, and said
harshly:
"No! No, I tell you! Let me be!"
She was angry, and went away: in her fury, she declared that, no matter
what happened to her husband, she would not bother about it any more.
Public-domain text, read in full here on John Shaqi.
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