Jean-Christophe in Paris: The Market-Place, Antoinette, the HouseRolland, Romain
General
Jean-Christophe in Paris: The Market-Place, Antoinette, the House
Rolland, Romain
Epic literature; French fiction -- Translations into English; Musicians -- Fiction; Paris (France) -- Fiction; Psychological fiction
M. Jeannin went down into the garden. Antoinette was still larking about,
and tugging at her brother to make him run. But the boy declared suddenly
that he was not going to play any more: and he leaned against the wall of
the terrace a few yards away from his father. Antoinette tried to go on
teasing him: but he drove her away and sulked: then she called him names:
and when she found she could get no more fun out of him, she went in and
began to play the piano.
M. Jeannin and Olivier were left alone.
"What's the matter with you, boy? Why won't you play?" asked the father
gently.
"I'm tired, father."
"Well, let us sit here on this seat for a little."
They sat down. It was a lovely September night. A dark, clear sky.
The sweet scent of the petunias was mingled with the stale and rather
unwholesome smell of the canal sleeping darkly below the terrace wall.
Great moths, pale and sphinx-like, fluttered about the flowers, with a
little whirring sound. The even voices of the neighbors sitting at their
doors on the other side of the canal rang through the silent air. In the
house Antoinette was playing a florid Italian cavatina. M. Jeannin held
Olivier's hand in his. He was smoking. Through the darkness behind which
his father's face was slowly disappearing the boy could see the red glow of
the pipe, which gleamed, died away, gleamed again, and finally went out.
Neither spoke. Then Olivier asked the names of the stars. M. Jeannin, like
almost all men of his class, knew nothing of the things of Nature, and
could not tell him the names of any save the great constellations, which
are known to everyone: but he pretended that the boy was asking their
names, and told him. Olivier made no objection: it always pleased him to
hear their beautiful mysterious names, and to repeat them in a whisper.
Besides, he was not so much wanting to know their names as instinctively to
come closer to his father. They said nothing more. Olivier looked at the
stars, with his head thrown back and his mouth open: he was lost in drowsy
thoughts: he could feel through all his veins the warmth of his father's
hand. Suddenly the hand began to tremble. That seemed funny to Olivier, and
he laughed and said sleepily:
"Oh, how your hand is trembling, father!"
M. Jeannin removed his hand.
After a moment Olivier, still busy with his own thoughts, said:
"Are you tired, too, father?"
"Yes, my boy."
The boy replied affectionately:
"You must not tire yourself out so much, father."
M. Jeannin drew Olivier towards him, and held him to his breast and
murmured:
"My poor boy!..."
But already Olivier's thoughts had flown off on another tack. The church
clock chimed eight o'clock. He broke away, and said:
"I'm going to read."
On Thursdays he was allowed to read for an hour after dinner, until
bedtime: it was his greatest joy: and nothing in the world could induce him
to sacrifice a minute of it.
Public-domain text, read in full here on John Shaqi.
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