Jean-Christophe in Paris: The Market-Place, Antoinette, the HouseRolland, Romain
General
Jean-Christophe in Paris: The Market-Place, Antoinette, the House
Rolland, Romain
Epic literature; French fiction -- Translations into English; Musicians -- Fiction; Paris (France) -- Fiction; Psychological fiction
In three years, by screwing and scraping, sou by sou, they had succeeded in
getting the sum together. It was a great joy to them. Antoinette went to
the Poyets one evening. She was coldly received, for they thought she had
come to ask for help. They thought it advisable to take the initiative: and
reproached her for not letting them have any news of them: and not having
even told them of the death of her mother, and not coming to them when
she wanted help. She cut them short calmly by telling them that she had
no intention of incommoding them: she had come merely to return the money
which had been borrowed from them: and she laid two banknotes on the table
and asked for a receipt. They changed their tone at once, and pretended to
be unwilling to accept it: they were feeling for her that sudden affection
which comes to the creditor for the debtor, who, after many years, returns
the loan which he had ceased to reckon upon. They inquired where she was
living with her brother, and how they lived. She did not reply, asked once
more for the receipt, said that she was in a hurry, bowed coldly, and went
away. The Poyets were horrified at the girl's ingratitude.
Then, when she was rid of that obsession, Antoinette went on with the same
sparing existence, but now it was entirely for her brother's sake. Only she
concealed it more to prevent his knowing it: she economized on her clothes
and sometimes on her food, to keep her brother well-dressed and amused,
and to make his life pleasanter and gayer, and to let him go every now and
then to a concert, or to the opera, which was Olivier's greatest joy. He
was unwilling to go without her, but she would always make excuses for not
going so that he should feel no remorse: she would pretend that she was too
tired and did not want to go out: she would even go so far as to say that
music bored her. Her fond quibbles would not deceive him: but his boyish
selfishness would be too strong for him. He would go to the theater: once
inside, he would be filled with remorse, and it would haunt him all through
the piece, and spoil his pleasure. One Sunday, when she had packed him
off to the _Châtelet_ concert, he returned half an hour later, and told
Antoinette that when he reached the Saint Michel Bridge he had not the
heart to go any farther: the concert did not interest him: it hurt him too
much to have any pleasure without her. Nothing was sweeter to Antoinette,
although she was sorry that her brother should be deprived of his Sunday
entertainment because of her. But Olivier never regretted it: when he saw
the joy that lit up his sister's face as he came in, a joy that she tried
in vain to conceal, he felt happier than the most lovely music in the world
could ever have made him. They spent the afternoon sitting together by the
window, he with a book in his hand, she with her work, hardly reading at
all, hardly sewing at all, talking idly of things that interested neither
of them.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account