Jean-Christophe in Paris: The Market-Place, Antoinette, the HouseRolland, Romain
General
Jean-Christophe in Paris: The Market-Place, Antoinette, the House
Rolland, Romain
Epic literature; French fiction -- Translations into English; Musicians -- Fiction; Paris (France) -- Fiction; Psychological fiction
Never had they had so delightful a Sunday. They agreed that they
would never go alone to a concert again: they could never enjoy anything
alone.
She managed secretly to save enough money to surprise and delight Olivier
with a hired piano, which, on the hire-purchase system became their
property at the end of a certain number of months. The payments for it were
a heavy burden for her to shoulder! It often haunted her dreams, and she
ruined her health in screwing together the necessary money. But, folly as
it was, it did assure them both so much happiness. Music was their Paradise
in their hard life. It filled an enormous place in their existence. They
steeped themselves in music so as to forget the rest of the world. There
was danger in it too. Music is one of the great modern dissolvents. Its
languorous warmth, like the heat of a stove, or the enervating air of
autumn, excites the senses and destroys the will. But it was a relaxation
for a creature forced into excessive, joyless activity as was Antoinette.
The Sunday concert was the only ray of light that shone through the week of
unceasing toil. They lived in the memory of the last concert and the eager
anticipation of the next, in those few hours spent outside Paris and out of
the vile weather. After a long wait outside in the rain, or the snow, or
the wind and the cold, clinging together, and trembling lest all the places
should be taken, they would pass into the theater, where they were lost in
the throng, and sit on dark uncomfortable benches. They were crushed and
stifling, and often on the point of fainting from the heat and discomfort
of it all:--but they were happy, happy in their own and in each other's
pleasure, happy to feel coursing through their veins the flood of kindness,
light, and strength, that surged forth from the great souls of Beethoven
and Wagner, happy, each of them, to see the dear, dear face light up--the
poor, pale face worn by suffering and premature anxieties. Antoinette would
feel so tired and as though loving arms were about her, holding her to a
motherly breast! She would nestle in its softness and warmth: and she would
weep quietly. Olivier would press her hand. No one noticed them in the
dimness of the vast hall, where they were not the only suffering souls
taking refuge under the motherly wing of Music.
Public-domain text, read in full here on John Shaqi.
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