Jean-Christophe in Paris: The Market-Place, Antoinette, the HouseRolland, Romain
General
Jean-Christophe in Paris: The Market-Place, Antoinette, the House
Rolland, Romain
Epic literature; French fiction -- Translations into English; Musicians -- Fiction; Paris (France) -- Fiction; Psychological fiction
He went down the stairs with his heart filled with joy. He passed two ugly
children going up, one with bread, the other with a bottle of oil. He
pinched their cheeks jovially. He smiled at the scowling porter. When he
reached the street he walked along humming to himself until he came to the
Luxembourg. He lay down on a seat in the shade, and closed his eyes. The
air was still and heavy: there were only a few passers-by. Very faintly he
could hear the irregular trickling of the fountain, and every now and then
the scrunching of the gravel as footsteps passed him by. Christophe was
overcome with drowsiness, and he lay basking like a lizard in the sun: his
face had been out of the shadow of the trees for some time: but he could
not bring himself to stir. His thoughts wound about and about: he made
no attempt to hold and fix them: they were all steeped in the light of
happiness. The Luxembourg clock struck: he did not listen to it: but, a
moment later, he thought it must have been striking twelve. He jumped up
to realize that he had been lounging for a couple of hours, had missed an
appointment with Hecht, and wasted the whole morning. He laughed, and went
home whistling. He composed a _Rondo_ in canon on the cry of a peddler.
Even sad melodies now took on the charm of the gladness that was in him. As
he passed the laundry in his street, as usual, he glanced into the shop,
and saw the little red-haired girl, with her dull complexion flushed with
the heat, and she was ironing with her thin arms bare to the shoulder and
her bodice open at the neck: and, as usual, she ogled him brazenly: for the
first time he was not irritated by her eyes meeting his. He laughed once
more. When he reached his room he was free of all the obsessions from which
he had suffered. He flung his hat, coat, and vest in different directions,
and sat down to work with an all-conquering zest. He gathered together all
his scattered scraps of music, which were lying all over the room, but his
mind was not in his work: he only read the script with his eyes: and a few
minutes later he fell back into the happy somnolence that had been upon him
in the Luxembourg Gardens; his head buzzed, and he could not think. Twice
or thrice he became aware of his condition, and tried to shake it off: but
in vain. He swore light-heartedly, got up, and dipped his head in a basin
of cold water. That sobered him a little. He sat down at the table again,
sat in silence, and smiled dreamily. He was wondering:
"What is the difference between that and love?"
Instinctively he had begun to think in whispers, as though he were ashamed.
He shrugged his shoulders.
"There are not two ways of loving.... Or, rather, yes, there are two ways:
there is the way of those who love with every fiber of their being, and the
way of those who only give to love a part of their superfluous energy. God
keep me from such cowardice of heart!"
Public-domain text, read in full here on John Shaqi.
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