Jean-Christophe in Paris: The Market-Place, Antoinette, the HouseRolland, Romain
General
Jean-Christophe in Paris: The Market-Place, Antoinette, the House
Rolland, Romain
Epic literature; French fiction -- Translations into English; Musicians -- Fiction; Paris (France) -- Fiction; Psychological fiction
He stopped in his thought, from a sort of shame and dread of following it
any farther. He sat for a long time smiling at his inward dreams. His heart
sang through the silence:
_Du bist mein, und nun ist das Meine Meiner als jemals..._ ("Thou art mine,
and now I am mine, more mine than I have ever been....")
He took a sheet of paper, and with tranquil ease wrote down the song that
was in his heart.
* * * * *
They decided to take rooms together. Christophe wanted to take possession
at once without worrying about the waste of half a quarter. Olivier was
more prudent, though not less ardent in their friendship, and thought it
better to wait until their respective tenancies had expired. Christophe
could not understand such parsimony. Like many people who have no money, he
never worried about losing it. He imagined that Olivier was even worse off
than himself. One day when his friend's poverty had been brought home to
him he left him suddenly and returned a few hours later in triumph with a
few francs which he had squeezed in advance out of Hecht. Olivier blushed
and refused. Christophe was put out and made to throw them to an Italian
who was playing in the yard. Olivier withheld him. Christophe went away,
apparently offended, but really furious with his own clumsiness to which he
attributed Olivier's refusal. A letter from his friend brought balm to his
wounds. Olivier could write what he could not express by word of mouth:
he could tell of his happiness in knowing him and how touched he was by
Christophe's offer of assistance. Christophe replied with a crazy, wild
letter, rather like those which he wrote when he was fifteen to his friend
Otto: it was full of _Gemüth_ and blundering jokes: he made puns in French
and German, and even translated them into music.
Public-domain text, read in full here on John Shaqi.
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