Jean-Christophe in Paris: The Market-Place, Antoinette, the HouseRolland, Romain
General
Jean-Christophe in Paris: The Market-Place, Antoinette, the House
Rolland, Romain
Epic literature; French fiction -- Translations into English; Musicians -- Fiction; Paris (France) -- Fiction; Psychological fiction
scandal, in his tale-telling. He was no worse a man or lover than the
majority. In the very chapters in which he exposed his father and mother
and his mistress, he would write of them with a poetic tenderness and
charm. He was really extremely affectionate: but he was one of those men
who have no need to respect when they love: quite the contrary: they rather
love those whom they can despise a little: that makes the object of their
affection seem nearer to them and more human. Such men are of all the
least capable of understanding heroism and purity. They are not far from
considering them lies or weakness of mind. It goes without saying that such
men are convinced that they understand better than anybody else the heroes
of art whom they judge with a patronizing familiarity.
He got on excellently well with the young women of the rich, idle
middle-class. He was a companion for them, a sort of depraved servant, only
more free and confidential, who gave them instruction and roused their
envy. They had hardly any constraint with him: and, with the lamp of Psyche
in their hands, they made a careful study of the hermaphrodite, and he
suffered them.
Christophe could not understand how a girl like Colette, who seemed to have
so refined a nature and a touching eagerness to escape from the degrading
round of her life, could find pleasure in such company. Christophe was
no psychologist. Lucien Lévy-Coeur could easily beat him on that score.
Christophe was Colette's confidant: but Colette was the confidante of
Lucien Lévy-Coeur. That gave him a great advantage. It is very pleasant to
a woman to feel that she has to deal with a man weaker than herself. She
finds food in it at once for her lower and higher instincts: her maternal
instinct is touched by it. Lucien Lévy-Coeur knew that perfectly: one of
the surest means of touching a woman's heart is to sound that mysterious
chord. But in addition, Colette felt that she was weak, and cowardly, and
possessed of instincts of which she was not proud, though she was not
inclined to deny them. It pleased her to allow herself to be persuaded by
the audacious and nicely calculated confessions of her friend that others
were just the same, and that human nature must be taken for what it is. And
so she gave herself the satisfaction of not resisting inclinations that
she found very agreeable, and the luxury of saying that it must be so,
and that it was wise not to rebel and to be indulgent with what one could
not--"alas!"--prevent. There was a wisdom in that, the practice of which
contained no element of pain.
Public-domain text, read in full here on John Shaqi.
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