Jean-Christophe in Paris: The Market-Place, Antoinette, the HouseRolland, Romain
General
Jean-Christophe in Paris: The Market-Place, Antoinette, the House
Rolland, Romain
Epic literature; French fiction -- Translations into English; Musicians -- Fiction; Paris (France) -- Fiction; Psychological fiction
For any one who can envisage life with serenity, there is a peculiar relish
in remarking the perpetual contrast which exists in the very bosom of
society between the extreme refinement of apparent civilization and its
fundamental animalism. In every gathering that does not consist only of
fossils and petrified souls, there are, as it were, two conversational
strata, one above the other: one--which everybody can hear--between mind
and mind: the other--of which very few are conscious, though it is the
greater of the two--between instinct and instinct, the beast in man and
woman. Often these two strata of conversation are contradictory. While mind
and mind are passing the small change of convention, body and body say:
Desire, Aversion, or, more often: Curiosity, Boredom, Disgust. The beast in
man and woman, though tamed by centuries of civilization, and as cowed as
the wretched lions in the tamer's cage, is always thinking of its food.
But Christophe had not yet reached that disinterestedness which comes only
with age and the death of the passions. He had taken himself very seriously
as adviser to Colette. She had asked for his help: and he saw her in the
lightness of her heart exposed to danger. So he made no effort to conceal
his dislike of Lucien Lévy-Coeur, At first that gentleman maintained
towards Christophe an irreproachable and ironical politeness. He, too,
scented the enemy: but he thought he had nothing to fear from him: he made
fun of him without seeming to do so. If only he could have had Christophe's
admiration he would have been on quite good terms with him, but that he
never could obtain: he saw that clearly, for Christophe had not the art of
disguising his feelings. And so Lucien Lévy-Coeur passed insensibly from
an abstract intellectual antagonism to a little, carefully veiled, war, of
which Colette was to be the prize.
Public-domain text, read in full here on John Shaqi.
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