Epic literature; French fiction -- Translations into Finnish; Musicians -- Fiction; Psychological fiction
Melchior increased it. Far from working more, he abandoned himself utterly
to his vice when he was free of the only force that had held him in check.
Almost every night he returned home drunk, and he never brought back his
earnings. Besides, he had lost almost all his lessons. One day he had
appeared at the house of one of his pupils in a state of complete
intoxication, and, as a consequence of this scandal, all doors were closed
to him. He was only tolerated in the orchestra out of regard for the memory
of his father, but Louisa trembled lest he should he dismissed any day
after a scene. He had already been threatened with it on several evenings
when he had turned up in his place about the end of the performance.
Twice or thrice he had forgotten altogether to put in an appearance. And of
what was he not capable in those moments of stupid excitement when he was
taken with the itch to do and say idiotic things! Had he not taken it into
his head one evening to try and play his great violin concerto in the
middle of an act of the _Valkyrie_? They were hard put to it to stop him.
Sometimes, too, he would shout with laughter in the middle of a performance
at the amusing pictures that were presented on the stage or whirling in his
own brain. He was a joy to his colleagues, and they passed over many things
because he was so funny. But such indulgence was worse than severity, and
Jean-Christophe could have died for shame.
The boy was now first violin in the orchestra. He sat so that he could
watch over his father, and, when necessary, beseech him, and make him be
silent. It was not easy, and the best thing was not to pay any attention
to him, for if he did, as soon as the sot felt that eyes were upon
him, he would take to making faces or launch out into a speech. Then
Jean-Christophe would turn away, trembling with fear lest he should commit
some outrageous prank. He would try to be absorbed in his work, but he
could not help hearing Melchior's utterances and the laughter of his
colleagues. Tears would come into his eyes. The musicians, good fellows
that they were, had seen that, and were sorry for him. They would hush
their laughter, and only talk about his father when Jean-Christophe was not
by. But Jean-Christophe was conscious of their pity. He knew that as soon
as he had gone their jokes would break out again, and that Melchior was the
laughing-stock of the town. He could not stop him, and he was in torment.
He used to bring his father home after the play. He would take his arm, put
up with his pleasantries, and try to conceal the stumbling in his walk. But
he deceived no one, and in spite of all his efforts it was very rarely that
he could succeed in leading Melchior all the way home. At the corner of the
street Melchior would declare that he had an urgent appointment with some
friends, and no argument could dissuade him from keeping this engagement.
Jean-Christophe took care not to insist too much, so as not to expose
Public-domain text, read in full here on John Shaqi.
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