Epic literature; French fiction -- Translations into Finnish; Musicians -- Fiction; Psychological fiction
Night--half asleep--a pale light made white the window.... The river
murmurs. Through the silence its voice rises omnipotent; it reigns over
all creatures. Sometimes it caresses their sleep, and seems almost itself
to die away in the roaring of its torrent. Sometimes it grows angry, and
howls like a furious beast about to bite. The clamor ceases. Now there is a
murmuring of infinite tenderness, silvery sounds like clear little bells,
like the laughter of children, or soft singing voices, or dancing music--a
great mother voice that never, never goes to sleep! It rocks the child, as
it has rocked through the ages, from birth to death, the generations that
were before him; it fills all his thoughts, and lives in all his dreams,
wraps him round with the cloak of its fluid harmonies, which still will be
about him when he lies in the little cemetery that sleeps by the water's
edge, washed by the Rhine....
The bells.... It is dawn! They answer each other's call, sad, melancholy,
friendly, gentle. At the sound of their slow voices there rise in him hosts
of dreams--dreams of the past, desires, hopes, regrets for creatures who
are gone, unknown to the child, although he had his being in them, and they
live again in him. Ages of memory ring out in that music. So much mourning,
so many festivals! And from the depths of the room it is as though, when
they are heard, there passed lovely waves of sound through the soft air,
free winging birds, and the moist soughing of the wind. Through the window
smiles a patch of blue sky; a sunbeam slips through the curtains to the
bed. The little world known to the eyes of the child, all that he can see
from his bed every morning as he awakes, all that with so much effort he is
beginning to recognize and classify, so that he may be master of it--his
kingdom is lit up. There is the table where people eat, the cupboard where
he hides to play, the tiled floor along which he crawls, and the wall-paper
which in its antic shapes holds for him so many humorous or terrifying
stories, and the clock which chatters and stammers so many words which he
alone can understand. How many things there are in this room! He does not
know them all. Every day he sets out on a voyage of exploration in this
universe which is his. Everything is his. Nothing is immaterial; everything
has its worth, man or fly, Everything lives--the cat, the fire, the table,
the grains of dust which dance in a sunbeam. The room is a country, a day
is a lifetime. How is a creature to know himself in the midst of these vast
spaces? The world is so large! A creature is lost in it. And the faces, the
actions, the movement, the noise, which make round about him an unending
turmoil!... He is weary; his eyes close; he goes to sleep. That sweet deep
sleep that overcomes him suddenly at any time, and wherever he may be--on
his mother's lap, or under the table, where he loves to hide!... It is
good. All is good....
Public-domain text, read in full here on John Shaqi.
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