Epic literature; French fiction -- Translations into Finnish; Musicians -- Fiction; Psychological fiction
No one bothers about him, and he has no need of any one. He can even do
without door-mat boats, and caverns in the tiled floor, with their
fantastic fauna. His body is enough. What a source of entertainment! He
spends hours in looking at his nails and shouting with laughter. They have
all different faces, and are like people that he knows. And the rest of
his body!... He goes on with the inspection of all that he has. How many
surprising things! There are so many marvels. He is absorbed in looking at
them.
But he was very roughly picked up when they caught him at it.
* * * * *
Sometimes he takes advantage of his mother's back being turned, to escape
from the house. At first they used to run after him and bring him back.
Then they got used to letting him go alone, only so he did not go too
far away. The house is at the end of the town; the country begins almost
at once. As long as he is within sight of the windows he goes without
stopping, very deliberately, and now and then hopping on one foot. But as
soon as he has passed the corner of the road, and the brushwood hides him
from view, he changes abruptly. He stops there, with his finger in his
mouth, to find out what story he shall tell himself that day; for he is
full of stories. True, they are all very much like each other, and every
one of them could be told in a few lines. He chooses. Generally he takes up
the same story, sometimes from the point where it left off, sometimes from
the beginning, with variations. But any trifle--a word heard by chance--is
enough to set his mind off on another direction.
Chance was fruitful of resources. It is impossible to imagine what can be
made of a simple piece of wood, a broken bough found alongside a hedge.
(You break them off when you do not find them.) It was a magic wand. If it
were long and thin, it became a lance, or perhaps a sword; to brandish it
aloft was enough to cause armies to spring from the earth. Jean-Christophe
was their general, marching in front of them, setting them an example, and
leading them to the assault of a hillock. If the branch were flexible,
it changed into a whip. Jean-Christophe mounted on horseback and leaped
precipices. Sometimes his mount would slip, and the horseman would find
himself at the bottom of the ditch, sorrily looking at his dirty hands
and barked knees. If the wand were lithe, then Jean-Christophe would make
himself the conductor of an orchestra: he would be both conductor and
orchestra; he conducted and he sang; and then he would salute the bushes,
with their little green heads stirring in the wind.
Public-domain text, read in full here on John Shaqi.
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