Epic literature; French fiction -- Translations into Finnish; Musicians -- Fiction; Psychological fiction
The little German girl, naïve and sensual, had odd little tricks. She would
place her ring on a little pile of flour, and he would have to get it again
and again with his teeth without whitening his nose. Or she would pass a
thread through a biscuit, and put one end of it in her mouth and one in
his, and then they had to nibble the thread to see who could get to the
biscuit first. Their faces would come together; they would feel each
other's breathing; their lips would touch, and they would laugh forcedly,
while their hands would turn to ice. Jean-Christophe would feel a desire to
bite, to hurt; he would fling back, and she would go on laughing forcedly.
They would turn away, pretend indifference, and steal glances at each
other.
These disturbing games had a disquieting attraction for them; they wanted
to play them, and yet avoided them. Jean-Christophe was fearful of them,
and preferred even the constraint of the meetings when Frau von Kerich or
some one else was present. So outside presence could break in upon the
converse of their loving hearts; constraint only made their love sweeter
and more intense. Everything gained infinitely in value; a word, a
movement of the lips, a glance were enough to make the rich new treasure
of their inner life shine through the dull veil of ordinary existence.
They alone could see it, or so they thought, and smiled, happy in their
little mysteries. Their words were no more than those of a drawing-room
conversation about trivial matters; to them they were an unending song of
love. They read the most fleeting changes in their faces and voices as in
an open book; they could have read as well with their eyes closed, for they
had only to listen to their hearts to hear in them the echo of the heart
of the beloved. They were full of confidence in life, in happiness, in
themselves. Their hopes were boundless. They loved, they were loved, happy,
without a shadow, without a doubt, without a fear of the future. Wonderful
serenity of those days of spring! Not a cloud in the sky. A faith so fresh
that it seems that nothing can ever tarnish it. A joy so abounding that
nothing can ever exhaust it. Are they living? Are they dreaming? Doubtless
they are dreaming. There is nothing in common between life and their
dream--nothing, except in that moment of magic: they are but a dream
themselves; their being has melted away at the touch of love.
* * * * *
Public-domain text, read in full here on John Shaqi.
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