Epic literature; French fiction -- Translations into Finnish; Musicians -- Fiction; Psychological fiction
"Go on to Death, you who must die! Go and suffer, you who must suffer! You
do not live to be happy. You live to fulfil my Law. Suffer; die. But be
what you must be--a Man."
YOUTH
Christofori faciem die quaeunque tueris, Illa nempe die non morte mala
morieris.
I
THE HOUSE OF EULER
The house was plunged in silence. Since Melchior's death everything seemed
dead. Now that his loud voice was stilled, from morning to night nothing
was heard but the wearisome murmuring of the river.
Christophe hurled himself into his work. He took a fiercely angry pleasure
in self-castigation for having wished to be happy. To expressions of
sympathy and kind words he made no reply, but was proud and stiff. Without
a word he went about his daily task, and gave his lessons with icy
politeness. His pupils who knew of his misfortune were shocked by his
insensibility. But, those who were older and had some experience of sorrow
knew that this apparent coldness might, in a child, be used only to conceal
suffering: and they pitied him. He was not grateful for their sympathy.
Even music could bring him no comfort. He played without pleasure, and as a
duty. It was as though he found a cruel joy in no longer taking pleasure in
anything, or in persuading himself that he did not: in depriving himself of
every reason for living, and yet going on.
His two brothers, terrified by the silence of the house of death, ran away
from it as quickly as possible. Rodolphe went into the office of his uncle
Theodore, and lived with him, and Ernest, after trying two or three trades,
found work on one of the Rhine steamers plying between Mainz and Cologne,
and he used to come back only when he wanted money. Christophe was left
alone with his mother in the house, which was too large for them; and the
meagerness of their resources, and the payment of certain debts which had
been discovered after his father's death, forced them, whatever pain it
might cost, to seek another more lowly and less expensive dwelling.
They found a little flat,--two or three rooms on the second floor of a
house in the Market Street. It was a noisy district in the middle of the
town, far from the river, far from the trees, far from the country and all
the familiar places. But they had to consult reason, not sentiment, and
Christophe found in it a fine opportunity for gratifying his bitter creed
of self-mortification. Besides, the owner of the house, old registrar
Euler, was a friend of his grandfather, and knew the family: that was
enough for Louisa, who was lost in her empty house, and was irresistibly
drawn towards those who had known the creatures whom she had loved.
Public-domain text, read in full here on John Shaqi.
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